Studies in Comparative AestheticsVisva-Bharati Research Publications, 1990 - 127 páginas |
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Página 3
... becomes quite another kind of world . Though its form , colour , sounds and the rest remain as they are , they become tinged with our approval and disapproval , our wonder and fear , our pleasure and pain ; and thus variegated with the ...
... becomes quite another kind of world . Though its form , colour , sounds and the rest remain as they are , they become tinged with our approval and disapproval , our wonder and fear , our pleasure and pain ; and thus variegated with the ...
Página 33
... become altered in quality from ordinary feelings aroused by natural objects . The difference lies principally in this that ... becomes the prevailing suggestion and the dominant note in a poem or a drama . Such a transcendent feeling is ...
... become altered in quality from ordinary feelings aroused by natural objects . The difference lies principally in this that ... becomes the prevailing suggestion and the dominant note in a poem or a drama . Such a transcendent feeling is ...
Página 43
... becomes unconscions while aesthetic delight , though not understood , is conscious . For similar reasons masochism , whether conscious or unconscions , cannot serve as an explanatory principle . Lastly , the theory of sublimation of ...
... becomes unconscions while aesthetic delight , though not understood , is conscious . For similar reasons masochism , whether conscious or unconscions , cannot serve as an explanatory principle . Lastly , the theory of sublimation of ...
Contenido
Foreward | 1 |
Objectification of Feelings in | 15 |
Physical Distance in Indian Aesthetics | 35 |
Otras 7 secciones no mostradas
Términos y frases comunes
A. C. Bradley A. K. Coomaraswamy Abhinavagupta accessories activity aesthetic attitude aesthetic contemplation aesthetic delight aesthetic experience aesthetic object apprehended aroused art-object artistic associated beauty blindly suffered Brahman Chap character cognitive concept Croce depicted descriptive knowledge distinct dominant emotion drama emotional attitude emotive meaning enjoyed enjoyment essay essence expression feelings in art felt function grade Hegel human I. A. Richards Ibid Indian aestheticians Indian aesthetics intuition involved Ishwara Jacques Maritain judgement Kant Keats kind knowledge literature Locana Maritain Max Black māyā meaning-function mind mode mood naturalistic nature objectification of feelings ordinary passions perception Philosophy pleasure poem poet poetic primary meaning principle propositions psychical distance rasa reader realisation reality recognised referential regarded relish representational Richards Sahityer Pathe Santiniketan says sense sensuous form soul suggested feelings suggested meaning Tagore Tagore's aesthetic theory thinkers thought transcendent truth universal spirit Upanishads Vedanta W. T. Stace words Wordsworth