Studies in Comparative AestheticsVisva-Bharati Research Publications, 1990 - 127 páginas |
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Página 6
... called ālambana vibhāva in Sanskrit poetics , meaning supporting objects , centering which are built up the sentiments . ( b ) The natural background , the battle - field , the little mound on which Napoleon is standing and the distant ...
... called ālambana vibhāva in Sanskrit poetics , meaning supporting objects , centering which are built up the sentiments . ( b ) The natural background , the battle - field , the little mound on which Napoleon is standing and the distant ...
Página 69
... called forth in his mind by the descriptive content of the poem . This transcendence of emotion has been marked by many Western thinkers , such as Hegel33 , Croce 34 and Bosanquet35 . In Indian aesthetics , this transcendence and ...
... called forth in his mind by the descriptive content of the poem . This transcendence of emotion has been marked by many Western thinkers , such as Hegel33 , Croce 34 and Bosanquet35 . In Indian aesthetics , this transcendence and ...
Página 73
... called a symbol ) . Thus a word has a meaning , so has a traffic signal . But can a sunset or a rainbow or a rainbow or a fallen flower be strictly ( and not metaphorically ) be called a sign having some meaning ? Each arouses a certain ...
... called a symbol ) . Thus a word has a meaning , so has a traffic signal . But can a sunset or a rainbow or a rainbow or a fallen flower be strictly ( and not metaphorically ) be called a sign having some meaning ? Each arouses a certain ...
Contenido
Foreward | 1 |
Objectification of Feelings in | 15 |
Physical Distance in Indian Aesthetics | 35 |
Otras 7 secciones no mostradas
Términos y frases comunes
A. C. Bradley A. K. Coomaraswamy Abhinavagupta accessories activity aesthetic attitude aesthetic contemplation aesthetic delight aesthetic experience aesthetic object apprehended aroused art-object artistic associated beauty blindly suffered Brahman Chap character cognitive concept Croce depicted descriptive knowledge distinct dominant emotion drama emotional attitude emotive meaning enjoyed enjoyment essay essence expression feelings in art felt function grade Hegel human I. A. Richards Ibid Indian aestheticians Indian aesthetics intuition involved Ishwara Jacques Maritain judgement Kant Keats kind knowledge literature Locana Maritain Max Black māyā meaning-function mind mode mood naturalistic nature objectification of feelings ordinary passions perception Philosophy pleasure poem poet poetic primary meaning principle propositions psychical distance rasa reader realisation reality recognised referential regarded relish representational Richards Sahityer Pathe Santiniketan says sense sensuous form soul suggested feelings suggested meaning Tagore Tagore's aesthetic theory thinkers thought transcendent truth universal spirit Upanishads Vedanta W. T. Stace words Wordsworth