Studies in Comparative AestheticsVisva-Bharati Research Publications, 1990 - 127 páginas |
Dentro del libro
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Página 20
... intellectual operation . Conscious intellectual operation is needed to catch more or less the transcendent aspect of the feelings . ( iii ) The contemplation of a feeling is not a perception of the sensuous embodiment of it , neither is ...
... intellectual operation . Conscious intellectual operation is needed to catch more or less the transcendent aspect of the feelings . ( iii ) The contemplation of a feeling is not a perception of the sensuous embodiment of it , neither is ...
Página 52
... intellectual interest in art breaks up its unified experience and murders beauty . Richards has distinguished emotive beliefs required in art from intellectual ones13 to explain the assent we readily give to meaningful propositions in ...
... intellectual interest in art breaks up its unified experience and murders beauty . Richards has distinguished emotive beliefs required in art from intellectual ones13 to explain the assent we readily give to meaningful propositions in ...
Página 53
... intellectual truth of a thought contained in a piece of art has no relevance for art as such for the vigorous intellectual interest is suspended in an aesthetic attitude ; but is all intellectual activity totally suspended ? Is not the ...
... intellectual truth of a thought contained in a piece of art has no relevance for art as such for the vigorous intellectual interest is suspended in an aesthetic attitude ; but is all intellectual activity totally suspended ? Is not the ...
Contenido
Foreward | 1 |
Objectification of Feelings in | 15 |
Physical Distance in Indian Aesthetics | 35 |
Otras 7 secciones no mostradas
Términos y frases comunes
A. C. Bradley A. K. Coomaraswamy Abhinavagupta accessories activity aesthetic attitude aesthetic contemplation aesthetic delight aesthetic experience aesthetic object apprehended aroused art-object artistic associated beauty blindly suffered Brahman Chap character cognitive concept Croce depicted descriptive knowledge distinct dominant emotion drama emotional attitude emotive meaning enjoyed enjoyment essay essence expression feelings in art felt function grade Hegel human I. A. Richards Ibid Indian aestheticians Indian aesthetics intuition involved Ishwara Jacques Maritain judgement Kant Keats kind knowledge literature Locana Maritain Max Black māyā meaning-function mind mode mood naturalistic nature objectification of feelings ordinary passions perception Philosophy pleasure poem poet poetic primary meaning principle propositions psychical distance rasa reader realisation reality recognised referential regarded relish representational Richards Sahityer Pathe Santiniketan says sense sensuous form soul suggested feelings suggested meaning Tagore Tagore's aesthetic theory thinkers thought transcendent truth universal spirit Upanishads Vedanta W. T. Stace words Wordsworth