Studies in Comparative AestheticsVisva-Bharati Research Publications, 1990 - 127 páginas |
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Página 1
... Poetry is distinguished by a delight1 of an extraordinary kind as its immediate end2 . This extraordinary delight ( called rasa in Sanskrit poetics ) distinguishes poetry from all other kinds of writing ( excepting drama , novel and ...
... Poetry is distinguished by a delight1 of an extraordinary kind as its immediate end2 . This extraordinary delight ( called rasa in Sanskrit poetics ) distinguishes poetry from all other kinds of writing ( excepting drama , novel and ...
Página 89
... poet leads to a successful experience or intuition on the part of the reader , the poet , therefore , successfully suggests feelings through literal meanings of his words and sentences . When feelings are thus experienced in poetry ...
... poet leads to a successful experience or intuition on the part of the reader , the poet , therefore , successfully suggests feelings through literal meanings of his words and sentences . When feelings are thus experienced in poetry ...
Página 121
... poetry is not the expression of a poet's personality , Tagore repudiates this . For Croce a man cannot be known merely by what he intuits and expresses ( i . e . by his aesthetic contemplation ) but he is known by what he understands in ...
... poetry is not the expression of a poet's personality , Tagore repudiates this . For Croce a man cannot be known merely by what he intuits and expresses ( i . e . by his aesthetic contemplation ) but he is known by what he understands in ...
Contenido
Foreward | 1 |
Objectification of Feelings in | 15 |
Physical Distance in Indian Aesthetics | 35 |
Otras 7 secciones no mostradas
Términos y frases comunes
A. C. Bradley A. K. Coomaraswamy Abhinavagupta accessories activity aesthetic attitude aesthetic contemplation aesthetic delight aesthetic experience aesthetic object apprehended aroused art-object artistic associated beauty blindly suffered Brahman Chap character cognitive concept Croce depicted descriptive knowledge distinct dominant emotion drama emotional attitude emotive meaning enjoyed enjoyment essay essence expression feelings in art felt function grade Hegel human I. A. Richards Ibid Indian aestheticians Indian aesthetics intuition involved Ishwara Jacques Maritain judgement Kant Keats kind knowledge literature Locana Maritain Max Black māyā meaning-function mind mode mood naturalistic nature objectification of feelings ordinary passions perception Philosophy pleasure poem poet poetic primary meaning principle propositions psychical distance rasa reader realisation reality recognised referential regarded relish representational Richards Sahityer Pathe Santiniketan says sense sensuous form soul suggested feelings suggested meaning Tagore Tagore's aesthetic theory thinkers thought transcendent truth universal spirit Upanishads Vedanta W. T. Stace words Wordsworth