Studies in Comparative AestheticsVisva-Bharati Research Publications, 1990 - 127 páginas |
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Página 36
... principle operating in and characterising all non - aesthetic attitudes , the principle which is behind the more obvious one ( and referred to by Longman ) of instrumentality of an object with reference to something ulterior to it . It ...
... principle operating in and characterising all non - aesthetic attitudes , the principle which is behind the more obvious one ( and referred to by Longman ) of instrumentality of an object with reference to something ulterior to it . It ...
Página 45
... principle may be found operating in aesthetic attitude and delight . The principle is that of māyā or illusory objectivity which may be conceived to operate in many planes or grades highest when the empirical world of working experience ...
... principle may be found operating in aesthetic attitude and delight . The principle is that of māyā or illusory objectivity which may be conceived to operate in many planes or grades highest when the empirical world of working experience ...
Página 108
... principle of disinterested enjoyment central in aesthetic experience , but they have not explained how disinterested enjoyment is possible . On the face of it the phrase is a contradiction in terms . But Tagore , with the help of the ...
... principle of disinterested enjoyment central in aesthetic experience , but they have not explained how disinterested enjoyment is possible . On the face of it the phrase is a contradiction in terms . But Tagore , with the help of the ...
Contenido
Foreward | 1 |
Objectification of Feelings in | 15 |
Physical Distance in Indian Aesthetics | 35 |
Otras 7 secciones no mostradas
Términos y frases comunes
A. C. Bradley A. K. Coomaraswamy Abhinavagupta accessories activity aesthetic attitude aesthetic contemplation aesthetic delight aesthetic experience aesthetic object apprehended aroused art-object artistic associated beauty blindly suffered Brahman Chap character cognitive concept Croce depicted descriptive knowledge distinct dominant emotion drama emotional attitude emotive meaning enjoyed enjoyment essay essence expression feelings in art felt function grade Hegel human I. A. Richards Ibid Indian aestheticians Indian aesthetics intuition involved Ishwara Jacques Maritain judgement Kant Keats kind knowledge literature Locana Maritain Max Black māyā meaning-function mind mode mood naturalistic nature objectification of feelings ordinary passions perception Philosophy pleasure poem poet poetic primary meaning principle propositions psychical distance rasa reader realisation reality recognised referential regarded relish representational Richards Sahityer Pathe Santiniketan says sense sensuous form soul suggested feelings suggested meaning Tagore Tagore's aesthetic theory thinkers thought transcendent truth universal spirit Upanishads Vedanta W. T. Stace words Wordsworth