Studies in Comparative AestheticsVisva-Bharati Research Publications, 1990 - 127 páginas |
Dentro del libro
Resultados 1-3 de 23
Página 26
... suffered by a subject and aroused by the object . This transcendent essence of feeling must be accepted in aesthetics to account for the undeniable , though often hazy , irradiation of meaning from an art - object , the meaning which is ...
... suffered by a subject and aroused by the object . This transcendent essence of feeling must be accepted in aesthetics to account for the undeniable , though often hazy , irradiation of meaning from an art - object , the meaning which is ...
Página 29
... suffered like a reflex . even though we know that the object is not real . ( The strength of this feeling depends on the truth and vividness of the representation . As too much of this naturalistic reaction disturbs aesthetic joy ...
... suffered like a reflex . even though we know that the object is not real . ( The strength of this feeling depends on the truth and vividness of the representation . As too much of this naturalistic reaction disturbs aesthetic joy ...
Página 30
... suffered is blind . The concept of this generic essence of a feeling explains objectification of it art . For this objectification implies some kind of objective knowledge and this implies universality of the object known . ( Sensations ...
... suffered is blind . The concept of this generic essence of a feeling explains objectification of it art . For this objectification implies some kind of objective knowledge and this implies universality of the object known . ( Sensations ...
Contenido
Foreward | 1 |
Objectification of Feelings in | 15 |
Physical Distance in Indian Aesthetics | 35 |
Otras 7 secciones no mostradas
Términos y frases comunes
A. C. Bradley A. K. Coomaraswamy Abhinavagupta accessories activity aesthetic attitude aesthetic contemplation aesthetic delight aesthetic experience aesthetic object apprehended aroused art-object artistic associated beauty blindly suffered Brahman Chap character cognitive concept Croce depicted descriptive knowledge distinct dominant emotion drama emotional attitude emotive meaning enjoyed enjoyment essay essence expression feelings in art felt function grade Hegel human I. A. Richards Ibid Indian aestheticians Indian aesthetics intuition involved Ishwara Jacques Maritain judgement Kant Keats kind knowledge literature Locana Maritain Max Black māyā meaning-function mind mode mood naturalistic nature objectification of feelings ordinary passions perception Philosophy pleasure poem poet poetic primary meaning principle propositions psychical distance rasa reader realisation reality recognised referential regarded relish representational Richards Sahityer Pathe Santiniketan says sense sensuous form soul suggested feelings suggested meaning Tagore Tagore's aesthetic theory thinkers thought transcendent truth universal spirit Upanishads Vedanta W. T. Stace words Wordsworth