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Of Divine wisdom being hidden to a presumptuous intellect :

Then by affecting power, we cannot know Him;

By knowing all things else, we know Him less;
Nature contains Him not; art cannot show Him;
Opinions, idols, and not God express.
Without, in power, we see Him everywhere;
Within, we rest not till we find Him there.

Then, man, rest on this feeling from above:
Plant thou thy faith on this celestial way;
The world is made for use; God is for love;
Sorrow for sin knowledge but to obey;
Fear and temptation to refine and prove;

:

The heaven for joy. Desire thou that it may
Find peace in endless, boundless, heavenly things;
Place it elsewhere, it desolation brings.2

In the last year of the sixteenth century, Sir John Davies (1570-1626) published his poem on the immortality of the soul, under the title Nosce Teipsum. It was the first philosophical poem which had hitherto been produced in England, and immediately attracted much attention. He had previously been rather under a cloud, having been expelled from the Middle Temple, whither he had passed from Queen's College, Oxford, on account of a violent quarrel at dinner-time in the common hall. He was now restored to his place as barrister, became a most active and useful member of the House of Commons, was sent as Solicitor-General to Ireland, and won a lasting name there both by his administration and by his valuable writings on the condition of that country. He was knighted, and was chosen Speaker of the First House of Commons in Ireland. He returned to England in 1620, and six years after, just before his sudden death by apoplexy, was appointed Lord Chief Justice of England.

It would ill become a writer of this age to find fault with a conjunction of poetry and philosophic reasonings. We owe a debt of gratitude to some of our best

1 Lord Brooke's Works: Of Religion, ed. by Grosart, vol. i. 7.
2 Id. 114.

poets for the deep and meditative thought which they have bestowed upon religious subjects, and upon the spiritual aspirations of the human soul. But it must be acknowledged that Sir John Davies's poem is rather too much of an argument trammelled by verse, and that consequently it is a little tedious. Some of its finest passages carry with them a reminiscence of Cicero, and in doing so are apt to remind the reader of them that their poetical form does not compare favourably with the noble prose of the Latin author. Still it is a poem of great merit, and inaugurated in a very worthy manner a fresh field for religious poetry in England. There is no consecutive passage in it better adapted for quotation than the concluding section of it :—

O ignorant poor man! what dost thou bear
Lock'd up within the casket of thy breast?
What jewels and what riches hast thou there!
What heavenly treasure in so weak a chest!

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Think of her worth, and think that God did mean
This worthy mind should worthy things embrace;
Blot not her beauties with thy thoughts unclean,
Nor her dishonour with thy passion base.
Kill not her quickening power with surfeitings;
Nor mar her sense with sensuality;
Cast not away her wit on idle things;
Make not her free-will slave to vanity.

And when thou think'st of her eternity,

Think not that death against her nature is ;
Think it a birth, and when thou go'st to die,
Sing like a swan, as if thou went to bliss.

And if thou, like a child, didst fear before

Being in the dark, where thou didst nothing see,
Now I have brought thee torchlight, fear no more;
Now, when thou diest, thou canst not hoodwink'd be.
And thou, my soul, which turn'd with curious eye
To view the beams of thine own form divine,
Know, that thou canst know nothing perfectly,
While thou art clouded with this flesh of mine.
Take heed of overweening, and compare
Thy peacock'd feet with thy gay peacock's train ;
Study the best and highest things that are,

But of thyself an humble thought retain.

Cast down thyself, and only strive to raise

The glory of thy Maker's sacred name :

Use all thy powers, that blesséd Power to praise
Which gave thee power to be, and use the same.1

The following is from John Danyel's Songs for the Lute and Viol (1600):

If I could shut the gate against my thoughts,
And keep out sorrow from this room within,
Or memory could cancel all the notes

Of my misdeeds, and I unthink my sin;

How free, how clear, how clean my soul should lie,
Discharged of such a loathsome company!

But, O my Saviour, who my refuge art,

Let Thy dear mercies stand 'twixt them and me,
And be the wall to separate my heart,

So that I may at length repose me free;
That peace, and joy and rest may be within,
And I remain divided from my sin.2

The life of Sir Walter Raleigh (1552-1618) is so intimately associated with the memories of Queen Elizabeth's reign, that although his Pilgrimage was, in all likelihood, not written in the sixteenth century, it may be mentioned here. His long imprisonment began in 1603. It was most likely at this time, when he was in daily expectation of death, that he wrote these verses. He had long been accustomed to look death in the face bravely and fearlessly, yet with a tinge of sadness in his reflections upon it. And now, in the stillness of his dungeon, he could almost toy with the probability of execution on the morrow, and clothe a religious hope in gay hues of fancy through which runs a scarcely perceptible thread of melancholy:

Give me my scallop shell of quiet,

My staff of faith to walk upon,

My scrip of joy, immortal diet,

My bottle of salvation,

My gown of glory, hope's true gage;

And thus I'll take my pilgrimage.

1 Sir John Davies's Nosce Teipsum, sect. xxxiv, Anderson's B. Poets, ii. 2 Bullen's More Songs from Elizabethan Song-Books, 1888, p. 52.

Blood must be my body's balmer;
No other balm will there be given ;
Whilst my soul, like quiet palmer,

Travelleth toward the land of heaven; Over the silver mountains

Where spring the nectar fountains :
There will I kiss

The bowl of bliss,

And drink mine everlasting fill
Upon every milken hill.

My soul will be a-dry before;
But after it will thirst no more.
Then by that happy blissful day

More peaceful pilgrims I shall see
That have cast off their rags of clay,
And walk apparelled fresh like me.
I'll take them first

To quench their thirst

And taste of nectar suckets

At those clear wells

Where sweetness dwells

Drawn up by saints in crystal buckets.

And when our bottles and all we
Are filled with immortality,
Then the blessed paths we'll travel
Strew'd with rubies thick as gravel;
Ceilings of diamonds, sapphire floors,
High walls of coral, and pearly bowers.
From thence to heaven's bribeless hall
Where no corrupted voices brawl;
No conscience molten into gold,
No forged accuser bought or sold,

No cause deferred, no vain spent journey,
For there Christ is the King's Attorney,
Who pleads for all without degrees,
And He hath angels, but no fees.
And when the grand twelve million jury
Of our sins, with direful fury,
Against our souls black verdicts give,
Christ pleads His death and then we live.

Be thou my speaker, taintless pleader,
Unblotted lawyer, true proceeder!
Thou givest salvation even for alms,
Not with a bribed lawyer's palms.
And this is mine eternal plea

To Him that made heaven, earth, and sea,

M

That since my flesh must die so soon,

And want a head to dine next noon,

Just at the stroke when my veins start and spread,
Set on my soul an everlasting head!

Then am I ready, like a palmer fit,

To tread those blest paths which before I writ.

Sir Walter was released in 1614, and went, under a Royal Commission, to Guiana, but on his return, in 1618, was again thrown into the Tower, and capital sentence was quickly passed. The following verses, written, it is said, the night before his death, were found in his Bible :

Even such is time, that takes in trust
Our youth, our joys, our all we have,
And pays us but with earth and dust;
Who in the dark and silent grave,
When we have wandered all our ways,
Shuts up the story of our days;

But from this earth, this grave, this dust,
My God shall raise me up, I trust.

To the latter part of the sixteenth century belongs a very familiar hymn, which in the next two centuries passed through many variations. The original of Jerusalem, my Happy Home, is in a quarto volume, dating probably from about 1616, and entitled A Song by F. B. P. The hymn itself is considered to be of Queen Elizabeth's time. Fourteen out of the twentysix stanzas will be found in Lord Selborne's Book of Praise. I extract a few verses :

Jerusalem, my happy home,

When shall I come to thee?

When shall my sorrows have an end-
Thy joys when shall I see?

O happy harbour of the saints !

O sweet and pleasant soil!

In thee no sorrow may be found,
No grief, no care, no toil.

There lust and lucre cannot dwell,
There envy bears no sway;
There is no hunger, heat, nor cold,
But pleasure every way.

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