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A Vulcan-very lame,

A Dian stuck about with stars,

With my right hand I murder'd Mars

(One Williams did the same.)

VII.

But tired of this dry work at last,
Crayon and chalk aside I cast,

And gave my brush a drink!
Dipping-" as when a painter dips
In gloom of earthquake and eclipse,”-
That is-in Indian ink.

VIII.

Oh then, what black Mont Blancs arose,
Crested with soot, and not with snows:
What clouds of dingy hue!

In spite of what the bard has penn'd,
I fear the distance did not "lend
Enchantment to the view."

IX.

Not Radclyffe's brush did e'er design
Black Forests, half so black as mine,
Or lakes so like a pall;

The Chinese cake dispers'd a ray
Of darkness, like the light of Day
And Martin over all.

X.

Yet urchin pride sustain'd me still,
I gaz'd on all with right good will,
And spread the dingy tint ;
"No holy Luke help'd me to paint,
The devil surely, not a Saint,

Had any finger in't!"

ΧΙ.

But colours came !-like morning light,
With gorgeous hues displacing night,
Or Spring's enliven'd scene:
At once the sable shades withdrew;
My skies got very, very blue;
My trees extremely green.

XIL

And wash'd by my cosmetic brush,
How Beauty's cheek began to blush
With lock of auburn stain—

(Not Goldsmith's Auburn)-nut-brown hair,
That made her loveliest of the fair;
Not "loveliest of the plain!”

XIII.

Her lips were of vermilion hue;

Love in her eyes, and Prussian blue,

Set all my heart in flame!

A young Pygmalion, I ador'd

The maids I made-but time was stor'd
With evil-and it came!

XIV.

Perspective dawn'd—and soon I saw
My houses stand against its law;

And "keeping" all unkept!
My beauties were no longer things

For love and fond imaginings;

But horrors to be wept !

XV.

Ah! why did knowledge ope my eyes?
Why did I get more artist-wise?

It only serves to hint,

What grave defects and wants are mine;
That I'm no Hilton in design-

In nature no Dewint!

XVI.

Thrice happy time !-Art's early days!
When o'er each deed, with sweet self-praise,
Narcissus-like I hung!

When great Rembrandt but little scem'd,
And such Old Masters all were deem'd

As nothing to the young!

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ODE TO M. BRUNEL.

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"Well said, old Mole! canst work i the dark so fast? a worthy pioneer!"

WELL!Monsieur Brunel,

How prospers now thy mighty undertaking,
To join by a hollow way the Bankside friends
Of Rotherhithe, and Wapping,-

Never be stopping,

HAMLET.

But poking, groping, in the dark keep making
An archway, underneath the Dabs and Gudgeons,
For Collier men and pitchy old Curmudgeons,
To cross the water in inverse proportion,
Walk under steam-boats under the keel's ridge,
To keep down all extortion,

And without sculls to diddle London Bridge!
In a fresh hunt, a new Great Bore to worry,
Thou didst to earth thy human terriers follow,
Hopeful at last from Middlesex to Surrey,
To give us the "View hollow."

In short it was thy aim, right north and south,
To put a pipe into old Thames's mouth;
Alas! half-way thou hadst proceeded, when
Old Thames, through roof, not water-proof,
Came, like "a tide in the affairs of men;"

I

And with a mighty stormy kind of roar,

Reproachful of thy wrong,

Burst out in that old song

Of Incledon's, beginning "Cease, rude Bore”—
Sad is it, worthy of one's tears,

Just when one seems the most successful,
To find one's self o'er head and ears

In difficulties most distressful!

Other great speculations have been nursed,
Till want of proceeds laid them on a shelf;
But thy concern was at the worst,

When it began to liquidate itself!

But now Dame Fortune has her false face hidden,
And languishes thy Tunnel,-so to paint,
Under a slow incurable complaint,

Bed-ridden !

Why, when thus Thames-bed-bother'd-why repine! Do try a spare bed at the Serpentine !

Yet let none think thee daz'd, or craz'd, or stupid;

And sunk beneath thy own and Thames's craft;

Let them not style thee some Mechanic Cupid
Pining and pouting o'er a broken shaft!
I'll tell thee with thy tunnel what to do;
Light up thy boxes, build a bin or two,
The wine does better than such water trades:

Stick up a sign—the sign of the Bore's Head;
I've drawn it ready for thee in black lead,
And make thy cellar subterrane,-Thy Shades?

ANACREONTIC.

FOR THE NEW YEAR.

COME, fill up the Bowl, for if ever the glass
Found a proper excuse or fit season,
For toasts to be honour'd, or pledges to pass,
Sure, this hour brings an exquisite reason:
For hark! the last chime of the dial has ceased,

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