Then Sir Peveril, with an agony he vainly seeks to smother, Says: "Your silence I interpret now! You are no longer free! But are plighted to another, and regard me ‘as a brother,’-Which I can't pretend to care about-is there no hope for me? "Still this silence? Then I leave you. Though you care not to be my mate, Though you do not hold me worth the boon of e'en a brief good bye, Should the cannibals sometime eat me in Afric's sultry climate, I may earn a posthumous regard entombed within a pie!" Thus he leaves her; down the corridor his heavy footstep echoes While his parting words are ringing in her singing ears a knell. And 'tis hers to feel for evermore-her life its dismal wreck Owes To immoderate indulgence in the tempting caramel! [This is the legitimate and only really artistic finale, but if experience teaches you that your recitation of these stanzas throws too heavy a gloom upon your audience, or damps them beyond their powers of recuperation, you may substitute the following stanza for the one immediately above:] Then the caramel relents at last! You find the phrase fantastic? But it melts (although from motives unintentionally kind), And she manages to masticate the morsel so elastic, As she murmurs: 'Though I've been so dumb-need you have been so blind?" Each of the Four Numbers of "100 Choice Selections" contained in this volume is paged separately, and the Index is made to corres pond therewith. See EXPLANATION on first page of Contents. The entire book contains nearly 1000 pages. 100 CHOICE SELECTIONS No. 30. THE MAN FOR THE HOUR.-A. R. ROBINSON. Tradition says that when of old he sowed upon the new-turned mould Uprose a host with arms be light, All day the doubtful contest raged A chosen few, who built the walls And still, if unto earth there come There is no need of trump or drum For, as the ages come and go, Are proof that this is ever so- He's Nature's heir, and he alone Then Sir Peveril, with an agony he vainly seeks to smother, Says: "Your silence I interpret now! You are no longer free! But are plighted to another, and regard me ' as a brother,'-Which I can't pretend to care about-is there no hope for me? "Still this silence? Then I leave you. Though you care not to be my mate, Though you do not hold me worth the boon of e'en a brief good bye, Should the cannibals sometime eat me in Afric's sultry climate, I may earn a posthumous regard entombed within a pie!" Thus he leaves her; down the corridor his heavy footstep echoes While his parting words are ringing in her singing ears a knell. And 'tis hers to feel for evermore-her life its dismal wreck Owes To immoderate indulgence in the tempting caramel! [This is the legitimate and only really artistic finale, but if experience teaches you that your recitation of these stanzas throws too heavy a gloom upon your audience, or damps them beyond their powers of recuperation, you may substitute the following stanza for the one immediately above:] Then the caramel relents at last! You find the phrase fantastic? But it melts (although from motives unintentionally kind), And she manages to masticate the morsel so elastic, As she murmurs: "Though I've been so dumb-need you have been so blind?" 1 |