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“ Got a bite, captain ?"

“Yep, an' he's a whopper, too. I ain't quite sure whether I've hooked him. Yep, there he is. I feel him 2-wigglin' on the line. He's a great, big, striped bass.” All this was said in a sort of stage whisper.

How do you know what kind of a fish it is ?” "How do I know?” repeated the old man, as he began slowly and deliberately to haul in his line, and he threw supreme pity for the ignorance implied by the question into his voice. “ How do I know? Why, . young man, I can tell jes’ what kind of a fish 'tis by the way he bites. Now, there's an eel; he kind o'makes little bits o' pecks at yer line, an' then he takes holt an' swims

yer line sort o' easy like. Then there's the sucker; he jes' sucks yer bait, an' ye can't hardly feel bim pull. An' then there's the yellow perch; he takes holt right away and swims away like a streak.”

“And how does the striped bass bite ?" interrupted the young man.

“Oh, he monkeys around a whole lot, and then he takes hold all of a suddent and swims away down stream. I knowed right away when this fellow took holt he was a striped bass. I never make no mistake. I—"

Just then the old man's catch came to the face. It was an old boot.

away with

THE WHITE ROSE AND THE POPPY.

ANNIE L. HANNAH.
“ Dear me, you're so red!” cried the White Rose

To the Poppy nodding near;
“I am sure you must feel most gaudy,

And very conspicuous, dear;
I am dreadfully sorry for you,

It is trying to be so bright.
One feels, and looks so modest

When one's dress is perfectly white.
"To seem to solicit attention,

Though it may not be all your fault,

Is contrary, quite, to the manners

Which I have always been taught
Are becoming in a lady ;

And so, as I have said,
You have my heartfelt sympathy

For being so terribly red.”
Poor Poppy! Her blush grew deeper,

And she bung her head, so bright,
And sighed, and trembled on her stem,

And wished that she could have been white; For to be called flaunting and gaudy,

To be thought immodest and told,
Made her petals quiver with anguish,

And her very calyx grow cold.
But the comforting south wind kissed her,

And the whispered words he said
Stilled the poor fluttering spirits;

And she listed her lovely head, And turned with a dignity stately

To her neighbor clad in white, Saying, “I was made a red poppy,

So surely was meant to be bright. “There must be in this great garden,

Room, and to spare for us all; A place for the creeping myrtle,

A place for the oak tree tall, Room for each shade and color,

And need for each plant and treo, Need for the white and the lilac,

And even the red, like me. "Ah! yes, the Lord of the garden

Has placed us each in our bed; You in your spotless white robe,

I, in my garments red.
“You are not a red poppy,

I am not a white rose;
But the Master and Lord of the garden

Has work for each flower that grows, –
Work for the high and the lowly,

Work for the great and small,
Yea, the loving hand which planted

Has need of us, one and all." - The Housewife. THE OPEN STEEPLECHASE. I had ridden over hurdles up the country once or twice, By the side of Snowy River with a horse they called the

Ace, And we brought him down to Sydney, and our rider, Jim

my Rice, Got a fall and broke his shoulder, so they nabbed me in a

trice, Me that never wore the colors, for the Open Steeplechase! “Make the running,” said the trainer, “it's your only chance

whatever, Make it hot from start to finish, for the old black horse

can stay ; And just think of how they'll take it when they hear on

Snowy River That the country boy was plucky, and the country horse was

clever: You must ride for old Monaro and the mountain boys to

day." "Are you ready?” said the starter, as we held the horses

back All a-blazing with impatience, with excitement all aglow; And before us like a ribbon stretched the steeplechasing track, And the sun rays glinted brightly on the chestnut and the

black, As the starter's words came slowly: “Are--you-ready

Go!" Well I scarcely knew we'd started, I was stupid-like with

wonder, Till the field closed up beside me and a jump appeared

ahead, And we charged it all together and it fairly whistled under, For we flew it like a hurdle, not a balk and not a blunder, And then some were pulled behind me and the rest shot

out and led. So we ran for half the distance, and I'm making no pretences

When I tell you I was feeling very nervous like and queer, For those jockeys rode like demons, you would think they'd

lost their senses If you saw them rush their horses at those rasping five-foot

fences; And in place of making running I was falling to the rear; Till a chap came racing past me on a horse they called the

Quiver, And, said he, “ My country joker, are you going to give

it best?

pace it

Are you frightened of the fences, does their stoutness make

you shiver? Have they took to breeding cowards by the side of Snowy

River? Are there riders on Monaro ?” but I never heard the rest, For I drove the Ace and sent him just as fast as he could At the big black line of timber stretching fair across the

track, And he shot beside the Quiver. “Now,” says I, “my boy,

we'll race it, You can come with Snowy River if you're only game to face

it; Let us mend the pace a little and we'll see who cries a

crack.” Then we raced away together, and we left the others stand

ing, And the people howled and shouted as we settled down

to ride; For I clung beside the Quiver; at his taking-off and landing I could watch his scarlet nostrils and his mighty ribs ex

panding, And the Ace stretched out in earnest, and we held him

stride for stride. But the pace was so terrific that they soon ran out their

tether, They were rolling in their gallop, they were fairly blown

and beat, But they both were game as pebbles, neither one would

show the feather, And we rushed them at their fences and they cleared them

both together: Nearly every time they clouted, but they somehow kept

their feet. Then the last jump rose before us, and they faced it game

as ever, We were both at spur and whip-cord, fetching blood at

every bound, And above the people's cheering and the cries of “Ace!”

and “ Quiver I could hear the trainer shouting, “One more run for Snowy

River !Then we struck the jump together and came smashing to

the ground. Well, the Quiver ran to blazes, but the Ace stood still and There was no one next or near me, for the field were fairly

waited, Stood and waited like a statue while I scrambled on his

back;

slated, And I cantered home a winner with my shou!der dislocated, While the man that rode the Quiver followed limping

down the track. And he shook my hand and told me that in all his days

he never Met a man who rode more gamely and our last set-to was

prime. And we wired them at Monaro how we chanced to beat the

Quiver, And they sent us back an answer, “Good old sort from

Snowy River, Send us word each race you start in, and we'll back you

every time!”

TO THE DYKES!—T. DEWITT TALMAGE. Some parts of Holland keep out the ocean only by dykes or walls of stout masonry. The engineer having the dykes in charge was soon to be married to a maiden living in one of the villages, the existence of which depended on the strength of these dykes. And there was to be a great feast in one of the villages that approaching evening in honor of the coming bridegroom. That day a great storm threatened the destruction of the dykes, and hence the destruction of thousands of lives in the villages sheltered by that stone wall. The ocean was in full wrath, beating against the dykes, and the tides and the terror were still rising.

"Shall I go to the feast," says the engineer, “or shall I go and help my workmen take care of the dykes ?“Take care of the dykes," he said to himself; “I must and will.”

As he appeared on the wall the men working there were exhausted and shouted: “ Here comes the engineer. Thank God! Thank God!” The wall was giving way, stone by stone, and the engineer had a rope fastened around his body, and some of the workmen had ropes fastened around their bodies and were let down amid the wild surges that beat the wall. Everything was giving

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