LaocoonMacmillan, 1874 - 360 páginas |
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Página x
... follow . He went to Berlin in 1748 . He resided for some time at Leipsic , and in 1760 became a member of the Academy there . He supported himself by translating foreign works , and taught himself French , Italian , and Spanish . He ...
... follow . He went to Berlin in 1748 . He resided for some time at Leipsic , and in 1760 became a member of the Academy there . He supported himself by translating foreign works , and taught himself French , Italian , and Spanish . He ...
Página lviii
... follows ? — From camp to camp , through the foul womb of night , The hum of either army stilly sounds ; Magnam capies voluptatem si hunc regionis situm ex monte pro- spexeris . Neque enim terras tibi , sed formam aliquam , ad eximiam ...
... follows ? — From camp to camp , through the foul womb of night , The hum of either army stilly sounds ; Magnam capies voluptatem si hunc regionis situm ex monte pro- spexeris . Neque enim terras tibi , sed formam aliquam , ad eximiam ...
Página 17
... follows that everything else by which the imitative Art can at the same time extend its influence must , if it does not harmonise with beauty , entirely give place to it , and if it does harmonise , at least be subordinate to it . Let ...
... follows that everything else by which the imitative Art can at the same time extend its influence must , if it does not harmonise with beauty , entirely give place to it , and if it does harmonise , at least be subordinate to it . Let ...
Página 22
... follows : Count Ghezzi ( Pietro Leone ) was , as his father and grandfather had been , a painter and engraver of the Roman School ; taught by his father ( Giuseppe ) , who died at Rome 1721 , and who was the son of another Ghezzi ...
... follows : Count Ghezzi ( Pietro Leone ) was , as his father and grandfather had been , a painter and engraver of the Roman School ; taught by his father ( Giuseppe ) , who died at Rome 1721 , and who was the son of another Ghezzi ...
Página 27
... follows , furnish the true materials of those technic powers which select direct the objects of imitation to their centre , ' Fuseli , Life , etc. , Lecture iii . pp . 135-6 . ' For of necessity ( Harris says ) every picture is a ...
... follows , furnish the true materials of those technic powers which select direct the objects of imitation to their centre , ' Fuseli , Life , etc. , Lecture iii . pp . 135-6 . ' For of necessity ( Harris says ) every picture is a ...
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action Aeneid Agamemnon Agesander ancient artists appears arbitrary signs Aristotle beauty bodies Caylus considered criticism describes Discourse disgusting effect excite expression feeling figure former Furies give goddess Greek Gurauer hand Hercules Herr Winkelmann Homer horns Ialysus idea Iliad imagination imitative art invention Laocoon latter Lessing Lessing's Lucretius means Meleager mind modern natural signs Neoptolemus object observe opinion Ovid painter passage passions Pausanias Phidias Philoctetes picture picturesque Pliny Plutarch poem poet poetical Poetry and Painting Polydorus Polymetis principles produce quae Quintilian reference remarkable representation represented Roman Rome says scream sculpture serpents shield Sir Joshua Sophocles speaking Spence Statius statue suffering sympathy taste things Timanthes tion traits translation true ugliness Venus Vesta Virgil visible whole wish words writer γὰρ δὲ ἐν καὶ μὲν οἱ τε τὴν τὸ τὸν τῶν
Pasajes populares
Página 228 - Thou, nature, art my goddess ; to thy law My services are bound : Wherefore should I Stand in the plague of custom ; and permit The curiosity of nations to deprive me, For that I am some twelve or fourteen moon-shines Lag of a brother? Why bastard? wherefore base? When my dimensions are as well compact, My mind as generous, and my shape as true, As honest madam's issue? Why brand they us With base? with baseness? bastardy? base, base?
Página liv - Wilt thou upon the high and giddy mast Seal up the ship-boy's eyes, and rock his brains In cradle of the rude imperious surge, And in the visitation of the winds, Who take the ruffian billows by the top, Curling their monstrous heads, and hanging them With deafening clamour in the slippery clouds, That, with the hurly, death itself awakes?
Página 168 - Dis's waggon! daffodils That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength...
Página 228 - That dogs bark at me as I halt by them ; Why I, in this weak piping time of peace, Have no delight to pass away the time, Unless to spy my shadow in the sun, And descant on mine own deformity.
Página 55 - ... illi agmine certo Laocoonta petunt, et primum parva duorum corpora natorum serpens amplexus uterque implicat et miseros morsu depascitur artus; post ipsum auxilio subeuntem ac tela ferentem corripiunt spirisque ligant ingentibus: et iam bis medium amplexi, bis collo squamea circum terga dati superant capite et cervicibus altis.
Página 207 - With head upraised, and look intent, And eye and ear attentive bent, And locks flung back, and lips apart, Like monument of Grecian art, In listening mood, she seemed to stand, The guardian Naiad of the strand.
Página 167 - Here's flowers for you: Hot lavender, mints, savory, marjoram ; The marigold, that goes to bed with the sun, And with him rises, weeping; these are flowers Of middle summer, and I think they are given To men of middle age.
Página 228 - But I, that am not shaped for sportive tricks, Nor made to court an amorous looking-glass...
Página 338 - tis, to cast one's eyes so low! The crows and choughs, that wing the midway air, Show scarce so gross as beetles : Half way down Hangs one that gathers samphire; dreadful trade! Methinks, he seems no bigger than his head: The fishermen, that walk upon the beach, Appear like mice; and yon...
Página xliv - And ever, against eating cares, Lap me in soft Lydian airs, Married to immortal verse, Such as the meeting soul may pierce, In notes with many a winding bout Of linked sweetness long drawn out, With wanton heed and giddy cunning; The melting voice through mazes running, Untwisting all the chains that tie The hidden soul of harmony; That Orpheus...