LaocoonMacmillan, 1874 - 360 páginas |
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Página x
... and afterwards published , a treatise of Berengarius b , supposed to be lost , respecting the Holy b Gurauer , 2 , 11 ; Goedeke , 611 , 612 , 663 . Eucharist . In 1775 he accompanied Prince Leopold of Bruns- X PREFACE .
... and afterwards published , a treatise of Berengarius b , supposed to be lost , respecting the Holy b Gurauer , 2 , 11 ; Goedeke , 611 , 612 , 663 . Eucharist . In 1775 he accompanied Prince Leopold of Bruns- X PREFACE .
Página xxii
... of Gainsborough , in this respect , to that of our late excellent Hogarth , who , with all his extra- 1 Vol . ii . Disc . 14. 88 . k Note , see p . 124 of this work . ordinary talents , was not blessed with this knowledge of xxii PREFACE .
... of Gainsborough , in this respect , to that of our late excellent Hogarth , who , with all his extra- 1 Vol . ii . Disc . 14. 88 . k Note , see p . 124 of this work . ordinary talents , was not blessed with this knowledge of xxii PREFACE .
Página xxiv
... respect . ( Harris ( born 1709 , died 1780 ) first published his treatises , Concerning Art , Music , Painting , and Poetry , ' in 1765 — a year before the publication of the Laocoon . These treatises have great merit ; they are not ...
... respect . ( Harris ( born 1709 , died 1780 ) first published his treatises , Concerning Art , Music , Painting , and Poetry , ' in 1765 — a year before the publication of the Laocoon . These treatises have great merit ; they are not ...
Página xxvi
... respecting the category of time , applicable to painting , was inapplicable to poetry . It was competent to the poet , by previous recital , to prepare the mind of his audience for an effect , or by subsequent recital to soften the ...
... respecting the category of time , applicable to painting , was inapplicable to poetry . It was competent to the poet , by previous recital , to prepare the mind of his audience for an effect , or by subsequent recital to soften the ...
Página xxxiii
... respect to the choice , no subject can be proper that is not generally interesting . It ought to be either some eminent instance of heroic action , or heroic suffering . There must be something either in the action , or in the object ...
... respect to the choice , no subject can be proper that is not generally interesting . It ought to be either some eminent instance of heroic action , or heroic suffering . There must be something either in the action , or in the object ...
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Términos y frases comunes
Achilles action Aeneid Agesander ancient artists appears arbitrary signs Athenodorus bodies cause Caylus Chabrias co-existent colours considered corporeal beauty criticism describes Discourse disgusting effect excite expression eyes feeling figure former Furies give goddess Greek Gurauer hand Hercules Herr Winkelmann Homer Ialysus idea Iliad imagination imitative art invention language Laocoon latter Lessing Lessing's means Milton modern natural signs Neoptolemus object observe opinion Ovid pain painter passage Pausanias Phidias Philoctetes picture picturesque pleasure Pliny Plutarch poem poet poetical Poetry Poetry and Painting Polydorus principles produce Pythodorus quae remarks representation represented Richardson Roman says scream sculpture serpents shield Sophocles speaking Spence statue successive suffering taste things Timanthes tion trait translation true ugliness Venus Vesta Virgil visible whole wish words Zenodorus γὰρ δὲ ἐν καὶ μὲν οἱ τε τὴν τὸ τὸν
Pasajes populares
Página 228 - Thou, nature, art my goddess ; to thy law My services are bound : Wherefore should I Stand in the plague of custom ; and permit The curiosity of nations to deprive me, For that I am some twelve or fourteen moon-shines Lag of a brother? Why bastard? wherefore base? When my dimensions are as well compact, My mind as generous, and my shape as true, As honest madam's issue? Why brand they us With base? with baseness? bastardy? base, base?
Página liv - Wilt thou upon the high and giddy mast Seal up the ship-boy's eyes, and rock his brains In cradle of the rude imperious surge, And in the visitation of the winds, Who take the ruffian billows by the top, Curling their monstrous heads, and hanging them With deafening clamour in the slippery clouds, That, with the hurly, death itself awakes?
Página 168 - Dis's waggon! daffodils That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength...
Página 228 - That dogs bark at me as I halt by them ; Why I, in this weak piping time of peace, Have no delight to pass away the time, Unless to spy my shadow in the sun, And descant on mine own deformity.
Página 55 - ... illi agmine certo Laocoonta petunt, et primum parva duorum corpora natorum serpens amplexus uterque implicat et miseros morsu depascitur artus; post ipsum auxilio subeuntem ac tela ferentem corripiunt spirisque ligant ingentibus: et iam bis medium amplexi, bis collo squamea circum terga dati superant capite et cervicibus altis.
Página 207 - With head upraised, and look intent, And eye and ear attentive bent, And locks flung back, and lips apart, Like monument of Grecian art, In listening mood, she seemed to stand, The guardian Naiad of the strand.
Página 167 - Here's flowers for you: Hot lavender, mints, savory, marjoram ; The marigold, that goes to bed with the sun, And with him rises, weeping; these are flowers Of middle summer, and I think they are given To men of middle age.
Página 228 - But I, that am not shaped for sportive tricks, Nor made to court an amorous looking-glass...
Página 338 - tis, to cast one's eyes so low! The crows and choughs, that wing the midway air, Show scarce so gross as beetles : Half way down Hangs one that gathers samphire; dreadful trade! Methinks, he seems no bigger than his head: The fishermen, that walk upon the beach, Appear like mice; and yon...
Página xliv - And ever, against eating cares, Lap me in soft Lydian airs, Married to immortal verse, Such as the meeting soul may pierce, In notes with many a winding bout Of linked sweetness long drawn out, With wanton heed and giddy cunning; The melting voice through mazes running, Untwisting all the chains that tie The hidden soul of harmony; That Orpheus...