Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumen80Gale Research Company, 1984 |
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Página 38
... effect ; by the time Touchstone interrupts , we have become ( not quite consciously ) detached from our immediate associations with these two key words . This temporary stripping of meaning from Fortune and Na- ture would seem to free ...
... effect ; by the time Touchstone interrupts , we have become ( not quite consciously ) detached from our immediate associations with these two key words . This temporary stripping of meaning from Fortune and Na- ture would seem to free ...
Página 41
... effect its primary purpose of marking transition . So too with Shakespeare's characters in As You Like It : they learn by going where they have to go ; the transformed characters must leave Arden ; Audrey will be as officially married ...
... effect its primary purpose of marking transition . So too with Shakespeare's characters in As You Like It : they learn by going where they have to go ; the transformed characters must leave Arden ; Audrey will be as officially married ...
Página 227
... effect they will have upon Macbeth — as if a deterministic net had been cast over the whole action . . . . The double nature of the prophecies ( as merely descriptive and so powerless to effect what they predict , and yet binding upon ...
... effect they will have upon Macbeth — as if a deterministic net had been cast over the whole action . . . . The double nature of the prophecies ( as merely descriptive and so powerless to effect what they predict , and yet binding upon ...
Contenido
As You Like | 1 |
Character Studies | 13 |
Production Reviews | 28 |
Derechos de autor | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumen28 Vista de fragmentos - 1984 |
Términos y frases comunes
action actor All's Angelo Arden audience Banquo becomes bed trick Cambridge Celia character Claudio comedy comic critics Cymbeline death deed Desdemona desire dramatic Duke Duncan Elizabethan English equivocation Falstaff fantasy father fear figure fool Hal's Hamlet hath Helena Henry Henry IV plays Hero Hotspur human husband imagination Isabella Jaques Juliet Kate King King Lear Lady Macbeth language London Love's Labour's Lost Macduff male marriage marry matrimonial means Measure for Measure Midsummer Night's Dream moral murder nature night Orlando Othello pastoral performance Petruchio play play's political Prince problem comedies production Prospero relationship Renaissance riage Richard Richard II ritual role romantic Rosalind says scene seems sense sexual Shake Shakespeare Quarterly Shrew social speare speare's speech stage suggests symbolic Theatre theatrical thee thou tion Touchstone tragedy tragic Twelfth Night Univ University Press visual wedding wife witches woman women words