Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumen80Gale Research Company, 1984 |
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Página 184
... later art which contemplation of Macbeth none the less calls up to a modern reader ; but a work of literature so immense in import cannot but stretch the mind that tries to comprehend it , so that forays and excursions beyond the ...
... later art which contemplation of Macbeth none the less calls up to a modern reader ; but a work of literature so immense in import cannot but stretch the mind that tries to comprehend it , so that forays and excursions beyond the ...
Página 215
... later diagnose as " dread . " Though centuries apart , both Shakespeare and Kierkegaard are steeped in the Protestant tradition ; and in both , dogma is accommodated in psychology . Kierkegaard , who quotes Shakespeare regularly to ...
... later diagnose as " dread . " Though centuries apart , both Shakespeare and Kierkegaard are steeped in the Protestant tradition ; and in both , dogma is accommodated in psychology . Kierkegaard , who quotes Shakespeare regularly to ...
Página 364
... later be seen by Edgar as the direct and opera- tive clause for all Gloucester's suffering : The Gods are just , and of our pleasant vices Make instruments to plague us ; The dark and vicious place where thee he got Cost him his eyes ...
... later be seen by Edgar as the direct and opera- tive clause for all Gloucester's suffering : The Gods are just , and of our pleasant vices Make instruments to plague us ; The dark and vicious place where thee he got Cost him his eyes ...
Contenido
As You Like | 1 |
Character Studies | 13 |
Production Reviews | 28 |
Derechos de autor | |
Otras 16 secciones no mostradas
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumen28 Vista de fragmentos - 1984 |
Términos y frases comunes
action actor All's Angelo Arden audience Banquo becomes bed trick Cambridge Celia character Claudio comedy comic critics Cymbeline death deed Desdemona desire dramatic Duke Duncan Elizabethan English equivocation Falstaff fantasy father fear figure fool Hal's Hamlet hath Helena Henry Henry IV plays Hero Hotspur human husband imagination Isabella Jaques Juliet Kate King King Lear Lady Macbeth language London Love's Labour's Lost Macduff male marriage marry matrimonial means Measure for Measure Midsummer Night's Dream moral murder nature night Orlando Othello pastoral performance Petruchio play play's political Prince problem comedies production Prospero relationship Renaissance riage Richard Richard II ritual role romantic Rosalind says scene seems sense sexual Shake Shakespeare Quarterly Shrew social speare speare's speech stage suggests symbolic Theatre theatrical thee thou tion Touchstone tragedy tragic Twelfth Night Univ University Press visual wedding wife witches woman women words