Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumen80Gale Research Company, 1984 |
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Página 187
... turn on it as on a hinge . It embodies a vision of destruction on the Wagnerian scale and engages a sense of the fatality of deeds which need concede nothing to the great pessimists of the nineteenth century . It gives profound ...
... turn on it as on a hinge . It embodies a vision of destruction on the Wagnerian scale and engages a sense of the fatality of deeds which need concede nothing to the great pessimists of the nineteenth century . It gives profound ...
Página 191
... Turn now to Duncan's second piece of business , the welcoming and rewarding of his thanes ( I.iv. 14-35 ) . Here he discloses the full ambition of his ideology , as he tries to weave man , nature and God into harmonious unity . Let us ...
... Turn now to Duncan's second piece of business , the welcoming and rewarding of his thanes ( I.iv. 14-35 ) . Here he discloses the full ambition of his ideology , as he tries to weave man , nature and God into harmonious unity . Let us ...
Página 277
... turn submits to him and becomes young and beautiful . This resolution suggests that the Wife of Bath , at least on an unconscious level , is actually seek- ing equality rather than domination . Unfortunately , she has no sense of how to ...
... turn submits to him and becomes young and beautiful . This resolution suggests that the Wife of Bath , at least on an unconscious level , is actually seek- ing equality rather than domination . Unfortunately , she has no sense of how to ...
Contenido
As You Like | 1 |
Character Studies | 13 |
Production Reviews | 28 |
Derechos de autor | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumen28 Vista de fragmentos - 1984 |
Términos y frases comunes
action actor All's Angelo Arden audience Banquo becomes bed trick Cambridge Celia character Claudio comedy comic critics Cymbeline death deed Desdemona desire dramatic Duke Duncan Elizabethan English equivocation Falstaff fantasy father fear figure fool Hal's Hamlet hath Helena Henry Henry IV plays Hero Hotspur human husband imagination Isabella Jaques Juliet Kate King King Lear Lady Macbeth language London Love's Labour's Lost Macduff male marriage marry matrimonial means Measure for Measure Midsummer Night's Dream moral murder nature night Orlando Othello pastoral performance Petruchio play play's political Prince problem comedies production Prospero relationship Renaissance riage Richard Richard II ritual role romantic Rosalind says scene seems sense sexual Shake Shakespeare Quarterly Shrew social speare speare's speech stage suggests symbolic Theatre theatrical thee thou tion Touchstone tragedy tragic Twelfth Night Univ University Press visual wedding wife witches woman women words