Selected Essays of William Hazlitt, 1778-1830Random House, 1930 - 807 páginas |
Dentro del libro
Resultados 1-3 de 55
Página 251
... expression of the face wounds me more than the expressions of the tongue . If I have in one instance mistaken this expression , or resorted to this remedy where I ought not , I am sorry for it . But the face was too fine over which it ...
... expression of the face wounds me more than the expressions of the tongue . If I have in one instance mistaken this expression , or resorted to this remedy where I ought not , I am sorry for it . But the face was too fine over which it ...
Página 609
... expression ( of which it may be said to be the highest degree ) as in what relates to things without expression , to the natural appearances of objects , as mere colour or form . In one sense , however , there is hardly any object ...
... expression ( of which it may be said to be the highest degree ) as in what relates to things without expression , to the natural appearances of objects , as mere colour or form . In one sense , however , there is hardly any object ...
Página 611
... expression than his figures , conscious power and capacity . They appear only to think what they shall do , and to ... expressing energy of will without proportionable sensibility , Cor- reggio's in expressing exquisite sensibility ...
... expression than his figures , conscious power and capacity . They appear only to think what they shall do , and to ... expressing energy of will without proportionable sensibility , Cor- reggio's in expressing exquisite sensibility ...
Contenido
On the Love of Life | 8 |
On Living to Onesself | 24 |
On Reading Old Books | 40 |
Otras 35 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
abstract acquaintance admiration appearance beauty better Brentford character circumstances Coleridge colours common conversation Correggio death delight effect English essays expression face fancy favour favourite feeling French French Revolution genius give habit hand Hazlitt head heart House of Commons human humour idea imagination impression indifference interest Jem Belcher Jeremy Taylor laugh learned Leigh Hunt less live LONDON MAGAZINE look Lord Lord Byron manner means mind Molière nature never object once opinion ourselves pain painter painting pass passion perhaps person picture play pleasure poet poetry portrait prejudice pretensions principle reason Rembrandt seems sense sentiment Shakespear shew sort soul sound speak spirit style talk taste things thought tion Titian Tom Jones truth turn understand virtue vulgar William Hazlitt Winterslow wish words write