Selected Essays of William Hazlitt, 1778-1830Random House, 1930 - 807 páginas |
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Página 389
... object or feeling . The poetical impression of any object is that uneasy , exquisite sense of beauty or power that cannot be con- tained within itself ; that is impatient of all limit ; that ( as flame bends to flame ) strives to link ...
... object or feeling . The poetical impression of any object is that uneasy , exquisite sense of beauty or power that cannot be con- tained within itself ; that is impatient of all limit ; that ( as flame bends to flame ) strives to link ...
Página 390
... object under the influence of passion makes on the mind . Let an object , for instance , be presented to the senses in a state of agitation or fear - and the imagination will distort or magnify the object , and convert it into the ...
... object under the influence of passion makes on the mind . Let an object , for instance , be presented to the senses in a state of agitation or fear - and the imagination will distort or magnify the object , and convert it into the ...
Página 660
... object in nature — the neck of a lovely and inno- cent female - which is written very much as if he had himself formerly painted this object , and sacrificed at this formidable shrine . There is no doubt that the percep- tion of beauty ...
... object in nature — the neck of a lovely and inno- cent female - which is written very much as if he had himself formerly painted this object , and sacrificed at this formidable shrine . There is no doubt that the percep- tion of beauty ...
Contenido
On the Love of Life | 8 |
On Living to Onesself | 24 |
On Reading Old Books | 40 |
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Términos y frases comunes
abstract acquaintance admiration appearance beauty better Brentford character circumstances Coleridge colours common conversation Correggio death delight effect English essays expression face fancy favour favourite feeling French French Revolution genius give habit hand Hazlitt head heart House of Commons human humour idea imagination impression indifference interest Jem Belcher Jeremy Taylor laugh learned Leigh Hunt less live LONDON MAGAZINE look Lord Lord Byron manner means mind Molière nature never object once opinion ourselves pain painter painting pass passion perhaps person picture play pleasure poet poetry portrait prejudice pretensions principle reason Rembrandt seems sense sentiment Shakespear shew sort soul sound speak spirit style talk taste things thought tion Titian Tom Jones truth turn understand virtue vulgar William Hazlitt Winterslow wish words write