Selected Essays of William Hazlitt, 1778-1830 |
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Página 474
ON FAMILIAR STYLE ( WRITTEN AFTER JULY , 1821 ) On IT is not easy to write a familiar style . Many people mistake a familiar for a vulgar style , and suppose that to write without affectation is to write at random . the contrary , there ...
ON FAMILIAR STYLE ( WRITTEN AFTER JULY , 1821 ) On IT is not easy to write a familiar style . Many people mistake a familiar for a vulgar style , and suppose that to write without affectation is to write at random . the contrary , there ...
Página 643
One reason for this indifference may have been , that as a writer he was tolerably successful in his life - time ... There is no occasion to write the name under this criticism , and the best answer to it is that it is true - his ...
One reason for this indifference may have been , that as a writer he was tolerably successful in his life - time ... There is no occasion to write the name under this criticism , and the best answer to it is that it is true - his ...
Página 720
What he has written is no rule to him what he is to write . He learns something every day , and every week he takes the field to maintain the opinions of the last six days against friend or foe . I doubt whether this outrageous ...
What he has written is no rule to him what he is to write . He learns something every day , and every week he takes the field to maintain the opinions of the last six days against friend or foe . I doubt whether this outrageous ...
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Contenido
On the Love of Life | 8 |
On Living to Onesself | 24 |
On Reading Old Books | 40 |
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Términos y frases comunes
admiration answer appearance asked beauty become better called character circumstances common conversation death delight effect equally existence expect expression face fancy fear feeling follow French friends genius give greater hand head hear heart hope human idea imagination impression instance interest keep knowledge laugh learned least leave less light live look manner matter means mind nature never object observation once opinion original ourselves pain painting pass passion perhaps person picture play pleasure poet poetry present principle question reason respect round seems sense side sometimes sort sound speak spirit stand striking style supposed talk taste things thought tion true truth turn understanding virtue whole wish write