Games for Actors and Non-actorsThis is the classic and best selling book by the founder of Theatre of the Oppressed, Augusto Boal, including new discussions, a new introduction and a collection of images.Games for Actors and Non-Actors is the classic and best selling book by the founder of Theatre of the Oppressed, Augusto Boal. It sets out the principles and practice of Boal's revolutionary Method, showing how theatre can be used to transform and liberate everyone - actors and non-actors alike!This thoroughly updated and substantially revised second edition includes:* Two new essays by Boal on major recent projects in Brazil* Boal's description of his work with the Royal Shakespeare Company* A revised introduction and translator's preface* A collection of photographs taken during Boal's workshops, commissioned for this edition* New reflections on Forum Theatre |
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Contenido
The Royal Shakespeare Company | 1 |
Sticky paper | 10 |
the fable of XuaXua the prehuman | 11 |
The Greek exercise | 14 |
THEATRE OF THE OPPRESSED IN EUROPE | 18 |
THE STRUCTURE OF THE ACTORS WORK | 29 |
THE ARSENAL OF THEATRE OF THE OPPRESSED | 48 |
Lifting someone out of a chair | 67 |
Four very simple demonstrations of embryos of Forum Theatre pieces based on projected images | 215 |
REHEARSAL EXERCISES FOR ANY KIND OF PLAY | 217 |
The dark room | 219 |
One line spoken by several actors | 220 |
The oppressors confession | 222 |
Abstract emotion with animals | 223 |
Ritual in which everyone becomes an animal | 224 |
Ideological warmup | 225 |
The Portuguese rhythmic shoes | 99 |
Bolivian mimosas | 105 |
melody | 108 |
Lying on their backs on tables | 114 |
Modelling clay | 124 |
Games of mask and ritual | 148 |
Follow two masters who metamorphose into each other | 149 |
Collective creation of a mask | 150 |
Changing masks | 151 |
The masks of the actors themselves | 152 |
Substitution of mask | 153 |
Changing a whole set of masks into a different social class | 154 |
Making the mask allencompassing | 155 |
Changing actors midritual | 156 |
The game of complementary roles | 157 |
Exchange of roles | 158 |
The clown of Amsterdam | 159 |
The image of the object | 160 |
The object transformed | 161 |
The invention of space and the spatial structures of power | 162 |
Games involving the creation of characters | 163 |
The two revelations of Saint Teresa | 169 |
models and dynamisations | 176 |
Image of the group | 191 |
Ritual gesture | 193 |
Ritual | 198 |
Rituals and masks | 201 |
The kinetic image | 202 |
Images of transition the technique in action | 203 |
the cop in the head | 206 |
Dissociation thought speech action | 207 |
the multiple mirror of how others see us | 208 |
Somatisation | 211 |
The three wishes | 212 |
The polyvalent image | 213 |
The image of the image | 214 |
The evocation of historic events | 226 |
Stop Think | 227 |
The reconstruction of the crime | 228 |
Analytical rehearsal of emotion | 229 |
Artificial pause | 230 |
Rehearsal of the cue | 231 |
Silence on set Action | 232 |
Slow motion | 233 |
Exaggeration | 234 |
Caricature | 235 |
The rhythm of scenes | 236 |
Keep talking | 237 |
THE EARLY FORMS OF FORUM THEATRE | 241 |
DOUBTS AND CERTAINTIES | 253 |
Do we have to arrive at a solution or not? | 259 |
The function of the actor | 265 |
The repeated scene | 266 |
How to replace a character without transforming it into another | 267 |
What is a good oppression? | 268 |
Who can replace whom? | 269 |
How should a model be rehearsed? | 271 |
Can a forum change themes? | 273 |
Can people remain spectators in a Forum Theatre session? | 274 |
When does a session of Theatre of the Oppressed end? | 275 |
FIRST EXPERIENCES WITH INVISIBLE THEATRE | 277 |
Queen Silvias baby | 280 |
the Greek | 282 |
the black woman | 283 |
Picnic in the streets of Stockholm | 285 |
The audiences children | 287 |
A MEDITATION ON ART AND THE MIRACULOUS | 289 |
Passion and art | 293 |
The mad artist and the artist madman | 296 |
THE PEDAGOGY OF FEAR THEATRE AND THE TWIN TOWERS AN ESSAY AFTER 11 SEPTEMBER 2001 | 298 |
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Términos y frases comunes
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Información bibliográfica
| Título | Games for Actors and Non-actors Augusto Boal |
| Autor | Augusto Boal |
| Edición | ilustrada, reimpresa |
| Editor | Psychology Press, 2002 |
| ISBN | 0415267080, 9780415267083 |
| Largo | 301 páginas |
| Exportar cita | BiBTeX EndNote RefMan |