The Stones of Venice,Volume III the FallCosimo, Inc., 2013 M01 1 - 528 páginas "More than simply a survey of an ancient city's most significant buildings, The Stones of Venice first published in three volumes between 1851 and 1853 is an expression of a philosophy of art, nature, and morality that goes beyond art history, and has inspired such thinkers as Leo Tolstoy, Marcel Proust, and Mahatma Gandhi. Volume III, which looks at Venetian buildings of the Early, Roman, and grotesque Renaissance, provides an analysis of the transitional forms of Arabian and Byzantine architecture while tracing the city s spiritual and architectural decline. Unabridged, and containing Ruskin s original drawings, this guide to the moral, spiritual, and aesthetic implications of architecture is a treasure for students and scholars alike. The preeminent art critic of his time, British writer JOHN RUSKIN (1819 1900) had a profound influence upon European painting, architecture, and aesthetics of the 19th and 20th centuries. His immense body of literary works include Modern Painters, Volume I IV (1843 1856); The Seven Lamps of Architecture (1849); Unto This Last (1862); Munera Pulveris (1862 3); The Crown of Wild Olive (1866); Time and Tide (1867); and Fors Clavigera (1871-84)." |
Dentro del libro
Resultados 1-5 de 84
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... us of at once , writing upon the countenance not merely the expression of the moment , but the history of the life . --- from Chapter III : " Grotesque Renaissance " 1 CONTENTS . THIRD , OR RENAISSANCE PERIOD . CHAPTER.
... us of at once , writing upon the countenance not merely the expression of the moment , but the history of the life . --- from Chapter III : " Grotesque Renaissance " 1 CONTENTS . THIRD , OR RENAISSANCE PERIOD . CHAPTER.
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... in successive pages, it is the task n the countenance not merely the expression, of the moment, but the history oi the fife. i III: "Grotesque Renaissance" CONTENTS. THIRD, OR RENAISSANCE PERIOD. Page Chapter I. Early Renaissance.
... in successive pages, it is the task n the countenance not merely the expression, of the moment, but the history oi the fife. i III: "Grotesque Renaissance" CONTENTS. THIRD, OR RENAISSANCE PERIOD. Page Chapter I. Early Renaissance.
Página 9
... mere incapability of enjoyment , which is most base . Now , in the various forms assumed by the later Gothic of Venice , there are one or two features which , under other circumstances , would not have been signs of de- cline but , in ...
... mere incapability of enjoyment , which is most base . Now , in the various forms assumed by the later Gothic of Venice , there are one or two features which , under other circumstances , would not have been signs of de- cline but , in ...
Página 15
... mere accumulation of technical skill , in gaining which the workman had surrendered all other powers that were in him . There is , therefore , of course , an infinite gradation in the art of the period , from the Sistine Chapel down to ...
... mere accumulation of technical skill , in gaining which the workman had surrendered all other powers that were in him . There is , therefore , of course , an infinite gradation in the art of the period , from the Sistine Chapel down to ...
Página 19
... merely picturesque artist in the nineteenth century , fixing itself so intensely on a principle which regulated the ... mere wreck of what he might have been , if , after the rough training noticed in my pamphlet on Pre - Raphaelitism ...
... merely picturesque artist in the nineteenth century , fixing itself so intensely on a principle which regulated the ... mere wreck of what he might have been , if , after the rough training noticed in my pamphlet on Pre - Raphaelitism ...
Contenido
1 | |
32 | |
ADDITIONAL CHAPTERCASTELFRANCO | 199 |
APPENDIX | 213 |
AUSTRIAN GOVERNMENT IN ITALY | 221 |
EARLY VENETIAN MARRIAGES | 233 |
ADDITIONAL NOTES FROM THE TRAVELLERS EDITION OF STONES | 263 |
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Términos y frases comunes
Abacus angels arcade arch architecture archivolt artist beautiful believe building Byzantine Campo San Polo capitals Casa Chap character Christ CHURCH OF ST colour cornices cusp dark decoration delight Doge door Ducal Palace early effect example expression façade feeling figures Fondaco Foscari fourteenth century Francesco Dandolo Frari Giorgione Gothic Grand Canal grotesque ground head heart human imagination interesting John and Paul kind knowledge labour leaves light look Madonna magnificent marble Mark's merely mind modern Morosini mouldings Murano nature noble observe once ornament painted painter PALAZZO Paternian Paul Veronese perfect period picture piece Plate plinth pride principal reader Renaissance Renaissance architecture represented San Rocco sarcophagus sculpture Scuola seen seqq shafts side soul spandrils stone things thirteenth century thought Tintoret Titian tomb Torcello traceries truth Turchi upper Venetian Venice Verona viii whole workman
Pasajes populares
Página 66 - I will lay me down in peace, and take my rest : for it is thou, Lord, only, that makest me dwell in safety.
Página 95 - Therefore hear now this, thou that art given to pleasures, that dwellest carelessly, that sayest in thine heart, " I am, and none else beside me ; I shall not sit as a widow, neither shall I know the loss of children...
Página 37 - In them hath he set a tabernacle for the sun, which is as a bridegroom coming out of his chamber, and rejoiceth as a strong man to run a race. His going forth is from the end of the heaven, and his circuit unto the ends of it: ала there is nothing hid from the heat thereof.
Página 156 - Professing themselves to be wise, they became fools, And changed the glory of the incorruptible God into an image made like unto corruptible man, and to birds, and to fourfooted beasts, and creeping things.
Página 212 - A city of marble, did I say? nay, rather a golden city, paved with emerald. For truly, every pinnacle and turret glanced or glowed, overlaid with gold, or bossed with jasper. Beneath, the unsullied sea drew in deep breathing, to and fro, its eddies of green wave. Deephearted, majestic, terrible as the sea, — the men of Venice moved in sway of power and war; pure...
Página 200 - Thou shalt arise, and have mercy upon Sion ; for it is time that thou have mercy upon her ; yea, the time is come. 14 And why? thy servants think upon her stones, and it pitieth them to see her in the dust.
Página 233 - I believe every man in a Christian kingdom ought to be equally well educated. But I would have it education to purpose; stern, practical, irresistible, in moral habits, in bodily strength and beauty, in all faculties of mind capable of being developed under the circumstances of the individual, and especially in the technical knowledge of his own business; but yet, infinitely various in its effort, directed to make one youth humble, and another confident; to tranquillize this mind, to put some spark...
Página 159 - I think that the central man of all the world, as representing in perfect balance the imaginative, moral, and intellectual faculties, all at their highest, is Dante...
Página 37 - Their line is gone out through all the earth, And their words to the end of the world. In them hath he set a tabernacle for the sun, Which is as a bridegroom coming out of his chamber, And rejoiceth as a strong man to run his course.