In another country: feminist perspectives on Renaissance dramaThis anthology aligns feminist essays about Shakespeare with essays on other dramatists of the English Renaissance, particularly Peele, Marlowe, Webster, Marston, and Middleton. Foregrounding the intertextuality of Elizabethian drama, the thirteen essays_eleven of them new_explore the contribution of the stage to various feminist subjects, drawing on diverse theoretical approaches_formalists, materialist, historical, new historicist, deconstructionist, psychoanalytic, rhetorical_and resisting the figuration of feminist criticism as simple or univocal. Essayists include Laura Bromley, Mary Ann Bushman, Christy Desmet, Coppelia Kahn, Margaret Mikesell, Thomas Moisan, Jeanie Grant Moorem Phyllis Rackin, James Schiffer, Jeremy Tambling, Carolyn Whitney-Brown, and the editors. With extensive bibliographies. |
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Página 98
The declaration that he does not use such "common" methods only foregrounds
them, advertises them as important ways of acquisition that other Venetians
employ. (The comparison with The Merchant of Venice is significant.) Like
Barabas ...
The declaration that he does not use such "common" methods only foregrounds
them, advertises them as important ways of acquisition that other Venetians
employ. (The comparison with The Merchant of Venice is significant.) Like
Barabas ...
Página 102
mood, but also suggests that viewers of the play are not to be allowed to split
Barabas off in their thoughts from other considerations: he is part of them.
Besides, if Barabas becomes Machiavellian in his plotting, what is implied is that
he has ...
mood, but also suggests that viewers of the play are not to be allowed to split
Barabas off in their thoughts from other considerations: he is part of them.
Besides, if Barabas becomes Machiavellian in his plotting, what is implied is that
he has ...
Página 104
The affinity of the names "Abigail" and "Abel" might prompt another identification,
however. The relationship to Ithamore is relevant here. As Abigail moves away
from Barabas, owing to her interest in Mathias, Ithamore replaces her;
significantly ...
The affinity of the names "Abigail" and "Abel" might prompt another identification,
however. The relationship to Ithamore is relevant here. As Abigail moves away
from Barabas, owing to her interest in Mathias, Ithamore replaces her;
significantly ...
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Contenido
Introduction Dorothea Kehler and Susan Baker | 1 |
Reflections | 19 |
Laura G Bromley | 50 |
Derechos de autor | |
Otras 13 secciones no mostradas
Otras ediciones - Ver todas
In Another Country: Feminist Perspectives on Renaissance Drama Dorothea Kehler Vista previa limitada - 1991 |
Términos y frases comunes
Abigail Absalon Antony and Cleopatra audience Barabas Barabas's beard Bethsabe Bethsabe's Brachiano Cambridge Univ characters chaste chastity Comedy Coppelia daughter David death desire difference discourses Dissertation Abstracts International Duchess of Malfi Dutch Courtesan Elizabeth Elizabethan Emilia England English Renaissance Essays father female feminine feminist criticism figure Flamineo Freevill gender heroines husband identity ideology Isabel Isabella Jacobean Drama Jew of Malta Kahn King language Literature London lust male Margaret marriage married Marston's Mary masculine matrimony Measure for Measure medieval Merchant of Venice metaphor Methuen mirror Noble Kinsmen Othello paradox patriarchal patriarchalist Paulina perspective play's pleasure political Press protagonists queen relationship Renaissance Drama rhetorical Richard role Romeo and Juliet scene sense sexual Shakespeare Quarterly Shakespeare Studies Shakespeare's Plays social society speech stage subversive Swetnam Talbot tion Tragedy tragic Vittoria Webster whore widow wife Winter's Tale witches wives woman womb women York