In another country: feminist perspectives on Renaissance dramaThis anthology aligns feminist essays about Shakespeare with essays on other dramatists of the English Renaissance, particularly Peele, Marlowe, Webster, Marston, and Middleton. Foregrounding the intertextuality of Elizabethian drama, the thirteen essays_eleven of them new_explore the contribution of the stage to various feminist subjects, drawing on diverse theoretical approaches_formalists, materialist, historical, new historicist, deconstructionist, psychoanalytic, rhetorical_and resisting the figuration of feminist criticism as simple or univocal. Essayists include Laura Bromley, Mary Ann Bushman, Christy Desmet, Coppelia Kahn, Margaret Mikesell, Thomas Moisan, Jeanie Grant Moorem Phyllis Rackin, James Schiffer, Jeremy Tambling, Carolyn Whitney-Brown, and the editors. With extensive bibliographies. |
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Página 182
In Peek's play, Absalon rebelliously discloses the faults of his father David that
make David unworthy to rule. Though Absalon bases his own worthiness on his
radiant beauty, the play discloses how that self-glorification becomes its own ...
In Peek's play, Absalon rebelliously discloses the faults of his father David that
make David unworthy to rule. Though Absalon bases his own worthiness on his
radiant beauty, the play discloses how that self-glorification becomes its own ...
Página 184
In Peele's play, then, one might expect a simple reproduction of David in his son
Absalon. David's identification with Absalon, however, is not unidirectional.
Absalon's rebellion is engendered in David himself when Absalon becomes a
greater ...
In Peele's play, then, one might expect a simple reproduction of David in his son
Absalon. David's identification with Absalon, however, is not unidirectional.
Absalon's rebellion is engendered in David himself when Absalon becomes a
greater ...
Página 198
1641-44) David responds by offering to face Bethsabe: Faire Bersabe, thou
mightst increase the strength, Of these thy arguments, drawne from my skill, By
urging thy sweet sight to my conceits. (11. 1655-57) The disclosures of this scene
take ...
1641-44) David responds by offering to face Bethsabe: Faire Bersabe, thou
mightst increase the strength, Of these thy arguments, drawne from my skill, By
urging thy sweet sight to my conceits. (11. 1655-57) The disclosures of this scene
take ...
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Contenido
Introduction Dorothea Kehler and Susan Baker | 1 |
Reflections | 19 |
Laura G Bromley | 50 |
Derechos de autor | |
Otras 13 secciones no mostradas
Otras ediciones - Ver todas
In Another Country: Feminist Perspectives on Renaissance Drama Dorothea Kehler Vista previa limitada - 1991 |
Términos y frases comunes
Abigail Absalon Antony and Cleopatra audience Barabas Barabas's beard Bethsabe Bethsabe's Brachiano Cambridge Univ characters chaste chastity Comedy Coppelia daughter David death desire difference discourses Dissertation Abstracts International Duchess of Malfi Dutch Courtesan Elizabeth Elizabethan Emilia England English Renaissance Essays father female feminine feminist criticism figure Flamineo Freevill gender heroines husband identity ideology Isabel Isabella Jacobean Drama Jew of Malta Kahn King language Literature London lust male Margaret marriage married Marston's Mary masculine matrimony Measure for Measure medieval Merchant of Venice metaphor Methuen mirror Noble Kinsmen Othello paradox patriarchal patriarchalist Paulina perspective play's pleasure political Press protagonists queen relationship Renaissance Drama rhetorical Richard role Romeo and Juliet scene sense sexual Shakespeare Quarterly Shakespeare Studies Shakespeare's Plays social society speech stage subversive Swetnam Talbot tion Tragedy tragic Vittoria Webster whore widow wife Winter's Tale witches wives woman womb women York