In another country: feminist perspectives on Renaissance dramaThis anthology aligns feminist essays about Shakespeare with essays on other dramatists of the English Renaissance, particularly Peele, Marlowe, Webster, Marston, and Middleton. Foregrounding the intertextuality of Elizabethian drama, the thirteen essays_eleven of them new_explore the contribution of the stage to various feminist subjects, drawing on diverse theoretical approaches_formalists, materialist, historical, new historicist, deconstructionist, psychoanalytic, rhetorical_and resisting the figuration of feminist criticism as simple or univocal. Essayists include Laura Bromley, Mary Ann Bushman, Christy Desmet, Coppelia Kahn, Margaret Mikesell, Thomas Moisan, Jeanie Grant Moorem Phyllis Rackin, James Schiffer, Jeremy Tambling, Carolyn Whitney-Brown, and the editors. With extensive bibliographies. |
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Página 225
In the soliloquy cited above, Freevill addresses the absent Malheureux: Now
repentance, the fool's whip, seize thee! Nay, if there be no means I'll be thy friend,
But not thy vice's; and with greatest sense I'll force thee feel thy errors to the worst
.
In the soliloquy cited above, Freevill addresses the absent Malheureux: Now
repentance, the fool's whip, seize thee! Nay, if there be no means I'll be thy friend,
But not thy vice's; and with greatest sense I'll force thee feel thy errors to the worst
.
Página 227
It is precisely passion's threat to reason that leads Torquato Tasso, author of The
Householder's Philosophie, to describe ideal sexuality in terms much like
Freevill's: 'The husband commeth not with those prophane and superstitious
cleppings ...
It is precisely passion's threat to reason that leads Torquato Tasso, author of The
Householder's Philosophie, to describe ideal sexuality in terms much like
Freevill's: 'The husband commeth not with those prophane and superstitious
cleppings ...
Página 253
The Dutch Courtesan hinges on the simplistic opposition between Beatrice,
Freevill's fiancee, saintly incarnation of the feminine virtues of "unsullen silence,
unaffected modesty, and an unignorant shamefastness," and the Dutch prostitute
...
The Dutch Courtesan hinges on the simplistic opposition between Beatrice,
Freevill's fiancee, saintly incarnation of the feminine virtues of "unsullen silence,
unaffected modesty, and an unignorant shamefastness," and the Dutch prostitute
...
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Contenido
Introduction Dorothea Kehler and Susan Baker | 1 |
Reflections | 19 |
Laura G Bromley | 50 |
Derechos de autor | |
Otras 13 secciones no mostradas
Otras ediciones - Ver todas
In Another Country: Feminist Perspectives on Renaissance Drama Dorothea Kehler Vista previa limitada - 1991 |
Términos y frases comunes
Abigail Absalon Antony and Cleopatra audience Barabas Barabas's beard Bethsabe Bethsabe's Brachiano Cambridge Univ characters chaste chastity Comedy Coppelia daughter David death desire difference discourses Dissertation Abstracts International Duchess of Malfi Dutch Courtesan Elizabeth Elizabethan Emilia England English Renaissance Essays father female feminine feminist criticism figure Flamineo Freevill gender heroines husband identity ideology Isabel Isabella Jacobean Drama Jew of Malta Kahn King language Literature London lust male Margaret marriage married Marston's Mary masculine matrimony Measure for Measure medieval Merchant of Venice metaphor Methuen mirror Noble Kinsmen Othello paradox patriarchal patriarchalist Paulina perspective play's pleasure political Press protagonists queen relationship Renaissance Drama rhetorical Richard role Romeo and Juliet scene sense sexual Shakespeare Quarterly Shakespeare Studies Shakespeare's Plays social society speech stage subversive Swetnam Talbot tion Tragedy tragic Vittoria Webster whore widow wife Winter's Tale witches wives woman womb women York