In another country: feminist perspectives on Renaissance dramaThis anthology aligns feminist essays about Shakespeare with essays on other dramatists of the English Renaissance, particularly Peele, Marlowe, Webster, Marston, and Middleton. Foregrounding the intertextuality of Elizabethian drama, the thirteen essays_eleven of them new_explore the contribution of the stage to various feminist subjects, drawing on diverse theoretical approaches_formalists, materialist, historical, new historicist, deconstructionist, psychoanalytic, rhetorical_and resisting the figuration of feminist criticism as simple or univocal. Essayists include Laura Bromley, Mary Ann Bushman, Christy Desmet, Coppelia Kahn, Margaret Mikesell, Thomas Moisan, Jeanie Grant Moorem Phyllis Rackin, James Schiffer, Jeremy Tambling, Carolyn Whitney-Brown, and the editors. With extensive bibliographies. |
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Página 19
1 Queen of Sorrow, King of Grief: Reflections and Perspectives in Richard II
Jeanie Grant Moore Tell thou the lamentable tale of me. Richard to Isabel (V.i.44)
1 Young, childless, and powerless, Queen Isabel in Richard II seems sadly ...
1 Queen of Sorrow, King of Grief: Reflections and Perspectives in Richard II
Jeanie Grant Moore Tell thou the lamentable tale of me. Richard to Isabel (V.i.44)
1 Young, childless, and powerless, Queen Isabel in Richard II seems sadly ...
Página 23
Perhaps her words obliquely comment on the strength of Richard's heterosexual
desires; more importantly, they build "nothingness" into the metaphor as a
significant cause. Isabel refuses to deny the presence of what she feels within her
, ...
Perhaps her words obliquely comment on the strength of Richard's heterosexual
desires; more importantly, they build "nothingness" into the metaphor as a
significant cause. Isabel refuses to deny the presence of what she feels within her
, ...
Página 27
(IV.i.244-48) In a reflection of Isabel, Richard sees through the perspective of
tears the truth about himself, becoming, as he does so, like the queen — a
reflector of both the mirror and the perspective images. Further, Isabel's
perspective glass ...
(IV.i.244-48) In a reflection of Isabel, Richard sees through the perspective of
tears the truth about himself, becoming, as he does so, like the queen — a
reflector of both the mirror and the perspective images. Further, Isabel's
perspective glass ...
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Contenido
Introduction Dorothea Kehler and Susan Baker | 1 |
Reflections | 19 |
Laura G Bromley | 50 |
Derechos de autor | |
Otras 13 secciones no mostradas
Otras ediciones - Ver todas
In Another Country: Feminist Perspectives on Renaissance Drama Dorothea Kehler Vista previa limitada - 1991 |
Términos y frases comunes
Abigail Absalon Antony and Cleopatra audience Barabas Barabas's beard Bethsabe Bethsabe's Brachiano Cambridge Univ characters chaste chastity Comedy Coppelia daughter David death desire difference discourses Dissertation Abstracts International Duchess of Malfi Dutch Courtesan Elizabeth Elizabethan Emilia England English Renaissance Essays father female feminine feminist criticism figure Flamineo Freevill gender heroines husband identity ideology Isabel Isabella Jacobean Drama Jew of Malta Kahn King language Literature London lust male Margaret marriage married Marston's Mary masculine matrimony Measure for Measure medieval Merchant of Venice metaphor Methuen mirror Noble Kinsmen Othello paradox patriarchal patriarchalist Paulina perspective play's pleasure political Press protagonists queen relationship Renaissance Drama rhetorical Richard role Romeo and Juliet scene sense sexual Shakespeare Quarterly Shakespeare Studies Shakespeare's Plays social society speech stage subversive Swetnam Talbot tion Tragedy tragic Vittoria Webster whore widow wife Winter's Tale witches wives woman womb women York