In another country: feminist perspectives on Renaissance dramaThis anthology aligns feminist essays about Shakespeare with essays on other dramatists of the English Renaissance, particularly Peele, Marlowe, Webster, Marston, and Middleton. Foregrounding the intertextuality of Elizabethian drama, the thirteen essays_eleven of them new_explore the contribution of the stage to various feminist subjects, drawing on diverse theoretical approaches_formalists, materialist, historical, new historicist, deconstructionist, psychoanalytic, rhetorical_and resisting the figuration of feminist criticism as simple or univocal. Essayists include Laura Bromley, Mary Ann Bushman, Christy Desmet, Coppelia Kahn, Margaret Mikesell, Thomas Moisan, Jeanie Grant Moorem Phyllis Rackin, James Schiffer, Jeremy Tambling, Carolyn Whitney-Brown, and the editors. With extensive bibliographies. |
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Página 183
746-48) Even Absalon's political rebellion is similar to David's adulterous
rebellion: both are based in an ethic of beauty, specifically of beautiful hair that
embodies desire — David's adulterous desire fixating upon Bethsabe's hair, and
...
746-48) Even Absalon's political rebellion is similar to David's adulterous
rebellion: both are based in an ethic of beauty, specifically of beautiful hair that
embodies desire — David's adulterous desire fixating upon Bethsabe's hair, and
...
Página 188
David's desire to be in Bethsabe's space is both a sexual urge to penetrate the
body he lecherously views, and also a poetic desire to participate in Bethsabe's
site of pleasurable enunciation. Female pleasure is thus represented as a
problem ...
David's desire to be in Bethsabe's space is both a sexual urge to penetrate the
body he lecherously views, and also a poetic desire to participate in Bethsabe's
site of pleasurable enunciation. Female pleasure is thus represented as a
problem ...
Página 212
They want their every desire satisfied, without frustration or delay. They want to
scratch where they itch, when they itch, without the censure of religious or social
codes. They want to be invulnerable to the "vile blows and buffets of the world.
They want their every desire satisfied, without frustration or delay. They want to
scratch where they itch, when they itch, without the censure of religious or social
codes. They want to be invulnerable to the "vile blows and buffets of the world.
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Contenido
Introduction Dorothea Kehler and Susan Baker | 1 |
Reflections | 19 |
Laura G Bromley | 50 |
Derechos de autor | |
Otras 13 secciones no mostradas
Otras ediciones - Ver todas
In Another Country: Feminist Perspectives on Renaissance Drama Dorothea Kehler Vista previa limitada - 1991 |
Términos y frases comunes
Abigail Absalon Antony and Cleopatra audience Barabas Barabas's beard Bethsabe Bethsabe's Brachiano Cambridge Univ characters chaste chastity Comedy Coppelia daughter David death desire difference discourses Dissertation Abstracts International Duchess of Malfi Dutch Courtesan Elizabeth Elizabethan Emilia England English Renaissance Essays father female feminine feminist criticism figure Flamineo Freevill gender heroines husband identity ideology Isabel Isabella Jacobean Drama Jew of Malta Kahn King language Literature London lust male Margaret marriage married Marston's Mary masculine matrimony Measure for Measure medieval Merchant of Venice metaphor Methuen mirror Noble Kinsmen Othello paradox patriarchal patriarchalist Paulina perspective play's pleasure political Press protagonists queen relationship Renaissance Drama rhetorical Richard role Romeo and Juliet scene sense sexual Shakespeare Quarterly Shakespeare Studies Shakespeare's Plays social society speech stage subversive Swetnam Talbot tion Tragedy tragic Vittoria Webster whore widow wife Winter's Tale witches wives woman womb women York