In Another Country: Feminist Perspectives on Renaissance Drama, Volumen10Dorothea Kehler, Susan Baker Scarecrow Press, 1991 - 345 páginas This anthology aligns feminist essays about Shakespeare with essays on other dramatists of the English Renaissance, particularly Peele, Marlowe, Webster, Marston, and Middleton. Foregrounding the intertextuality of Elizabethian drama, the thirteen essays_eleven of them new_explore the contribution of the stage to various feminist subjects, drawing on diverse theoretical approaches_formalists, materialist, historical, new historicist, deconstructionist, psychoanalytic, rhetorical_and resisting the figuration of feminist criticism as simple or univocal. Essayists include Laura Bromley, Mary Ann Bushman, Christy Desmet, Coppelia Kahn, Margaret Mikesell, Thomas Moisan, Jeanie Grant Moorem Phyllis Rackin, James Schiffer, Jeremy Tambling, Carolyn Whitney-Brown, and the editors. With extensive bibliographies. |
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Página 39
... play . In this position , however , her character refracts the continuing debate over the play's genre . 15 Earlier feminist criticism , reacting to misogynistic readings of Cleopatra , attempts to retrieve her as a tragic heroine ...
... play . In this position , however , her character refracts the continuing debate over the play's genre . 15 Earlier feminist criticism , reacting to misogynistic readings of Cleopatra , attempts to retrieve her as a tragic heroine ...
Página 101
... play makes between Barabas's capitalism , his monopolistic spirit as a member of the civil society dependent on despotic state power , and Machiavellianism . In ... play's mood , but also suggests that viewers of the play Jeremy Tambling 101.
... play makes between Barabas's capitalism , his monopolistic spirit as a member of the civil society dependent on despotic state power , and Machiavellianism . In ... play's mood , but also suggests that viewers of the play Jeremy Tambling 101.
Página 108
... play himself , so he cannot now become the author ; nevertheless , the identification Marlowe's play invites is complete . This suggests that Abigail must be seen , in terms of the play's structure , as herself an object , displaced by ...
... play himself , so he cannot now become the author ; nevertheless , the identification Marlowe's play invites is complete . This suggests that Abigail must be seen , in terms of the play's structure , as herself an object , displaced by ...
Contenido
Introduction Dorothea Kehler and Susan Baker | 1 |
Laura G Bromley | 50 |
Rhetoric of | 71 |
Derechos de autor | |
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In Another Country: Feminist Perspectives on Renaissance Drama, Volumen10 Dorothea Kehler,Susan Baker Vista previa limitada - 1991 |
Términos y frases comunes
Abigail Absalon Antony and Cleopatra audience authority Barabas Barabas's beard Bethsabe Bethsabe's Brachiano Cambridge Univ characters chaste chastity Comedy Coppélia daughter David death desire discourses Dissertation Abstracts International Duchess of Malfi Dutch Courtesan Elizabeth Elizabethan Emilia England English Renaissance Essays father female feminine feminist criticism figure Flamineo Freevill gender heroines husband identity ideology Isabel Isabella Jacobean Drama Jew of Malta Kahn King Lady Macbeth language Literature London lust male Margaret marriage married Marston's Mary masculine matrimony Measure for Measure Merchant of Venice metaphor Methuen mirror Noble Kinsmen Othello paradox patriarchal patriarchalist Paulina perspective play's pleasure political Press protagonists queen relationship Renaissance Drama rhetorical Richard Richard II role Romeo and Juliet scene sense sexual Shakespeare Quarterly Shakespeare Studies Shakespeare's Plays social society speech stage subversive Swetnam tion Tragedy tragic Vittoria Webster whore widow wife Winter's Tale wives woman womb women York