Exploring the Language of Drama: From Text to ContextJonathan Culpeper, Mick Short, Peter Verdonk Routledge, 2002 M01 8 - 192 páginas Exploring the Language of Drama introduces students to the stylistic analysis of drama. Written in an engaging and accessible style, the contributors use techniques of language analysis, particularly from discourse analysis, cognitive linguistics and pragmatics, to explore the language of plays. The contributors demonstrate the validity of analysing the text of a play, as opposed to focusing on performance. Divided into four broad, yet interconnecting groups, the chapters:
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... politeness in dramatic dialogue Jonathan Culpeper 8 ' Catch [ ing ] the nearest way ' : Macbeth and cognitive metaphor Donald C. Freeman 9 Three models of power in David Mamet's Oleanna Jean Jacques Weber 10 ' Unhappy ' confessions in ...
... politeness in dramatic dialogue Jonathan Culpeper 8 ' Catch [ ing ] the nearest way ' : Macbeth and cognitive metaphor Donald C. Freeman 9 Three models of power in David Mamet's Oleanna Jean Jacques Weber 10 ' Unhappy ' confessions in ...
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... politeness theory to illuminate the social dynamics of character interaction ( e.g. Simpson 1989 ; Leech 1992 ) ; and others ( e.g. Short 1989 ) have drawn eclectically from pragmatics and discourse analysis , in order to shed light on ...
... politeness theory to illuminate the social dynamics of character interaction ( e.g. Simpson 1989 ; Leech 1992 ) ; and others ( e.g. Short 1989 ) have drawn eclectically from pragmatics and discourse analysis , in order to shed light on ...
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... politeness marker ' please ' , and , given this and our schematic assumption concerning the behaviour of hotel guests , it is likely that his facial expression and gestures will be polite and socially cohesive too . And Polly will have ...
... politeness marker ' please ' , and , given this and our schematic assumption concerning the behaviour of hotel guests , it is likely that his facial expression and gestures will be polite and socially cohesive too . And Polly will have ...
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... Politeness theory ( see Culpeper's contribution ) ; • Turn - taking conventions ( see Herman's contribution ) ; • Speech acts ( see Lowe's and Toolan's contributions ) ; • Sociolinguistic conventions ; • Graphological information ...
... Politeness theory ( see Culpeper's contribution ) ; • Turn - taking conventions ( see Herman's contribution ) ; • Speech acts ( see Lowe's and Toolan's contributions ) ; • Sociolinguistic conventions ; • Graphological information ...
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... politeness markers ( note how the initial ' now ' assumes that she has the right to control the conversation , thus making it likely that it will be said loudly and with a high falling intonation ) . She has now interrupted Polly twice ...
... politeness markers ( note how the initial ' now ' assumes that she has the right to control the conversation , thus making it likely that it will be said loudly and with a high falling intonation ) . She has now interrupted Polly twice ...
Contenido
6 | |
19 | |
studying discourses of incongruity | 34 |
Implicature convention and The Taming of the Shrew | 54 |
Macbeth | 96 |
Three models of power in David Mamets Oleanna | 112 |
a pragmatic | 128 |
The give and take of talk and Caryl Churchills | 142 |
Index | 178 |
Otras ediciones - Ver todas
Exploring the Language of Drama: From Text to Context Jonathan Culpeper,Mick Short,Peter Verdonk Vista previa limitada - 2002 |
Exploring the Language of Drama: From Text to Context Jonathan Culpeper,Mick Short,Peter Verdonk Vista previa limitada - 1998 |
Exploring the Language of Drama: From Text to Context Jonathan Culpeper,Mick Short,Peter Verdonk Sin vista previa disponible - 2002 |
Términos y frases comunes
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