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you will find in the following journal, which I began to write upon the very day after your Spectator upon that subject.

TUESDAY night. Could not go to sleep till one in the morning for thinking of my journal.

WEDNESDAY. From eight to ten. late in bed, and fell asleep after them.

Drank two dishes of choco

From ten to eleven. Eat a slice of bread and butter, drank a dish of bohea, read the Spectator.

From eleven to one. At my toilette, tried a new head. Gave orders for Veny to be combed and washed. Mem. I look best in blue.

From one till half an hour after two. Drove to the 'Change. Cheapened a couple of fans.

Till four. At dinner. Mem. Mr. Froth passed by in his new liveries.

From four to six. Dressed, paid a visit to old Lady Blithe and her sister, having before heard they were gone out of town that day.

From six to eleven. At Basset. Mem. Never set again upon the ace of diamonds.

THURSDAY. From eleven at night to eight in the morning. Dreamed that I punted to Mr. Froth.

From eight to ten. Chocolate. Read two acts in Aurenzebe a-bed.

From ten to eleven. Tea-table. Sent to borrow Lady Faddle's Cupid for Veny. Read the play-bills. Received a letter from Mr. Froth. Mem. Locked it up in my strong box.

Rest of the morning. Fontange, the tire-woman, her account of Lady Blithe's wash. Broke a tooth in my little tortoise-shell comb. Sent Frank to know how my Lady Hectick rested after her monkey's leaping out at the window. Looked pale. Fontagne tells me my glass is not true. Dressed by three.

From three to four. Dinner cold before I sat down.

From four to eleven. Saw company. Mr. Froth's opinion of Milton. His accounts of the Mohocks. His fancy for a pin-cushion. Picture in the lid of his snuff-box. Old Lady Faddle promises me her woman to cut my hair. Lost five guineas at crimp. Twelve o'clock at night. Went to bed.

FRIDAY. Eight in the morning. A-bed. Read over all Mr. Froth's letters. Cupid and Veny.

Ten o'clock.

Stayed within all day, not at home.

From ten to twelve. Sorted a suit of ribands.

From twelve to one.

In conference with my mantua-maker.
Broke my blue china cup.

Shut myself up in my chamber, practised

Lady Betty Modely's skuttle.

One in the afternoon. Called for my flowered handkerchief. Worked half a violet leaf in it. Eyes ached and head out of order. Threw by my work, and read over the remaining part of Aurenzebe. From three to four.

Dined.

From four to twelve. Changed my mind, dressed, went abroad, and played at crimp till midnight. Found Mrs. Spitely at home. Conversation: Mrs. Brillant's necklace false stones. Old Lady Loveday going to be married to a young fellow that is not worth a groat. Miss Prue gone into the country. Tom Townley has red hair. Mem. Mrs. Spitely whispered in my ear that she had something to tell me about Mr. Froth, I am sure it is not true.

Between twelve and one. Dreamed that Mr. Froth lay at my feet, and called me Indamora.

SATURDAY. Rose at eight o'clock in the morning. Sat down to my toilette.

From eight to nine. Shifted a patch for half an hour before I could determine it. Fixed it above my left eyebrow.

From nine to twelve. Drank my tea, and dressed. From twelve to two. At chapel. A great deal of good company. Mem. The third air in the new opera. Lady Blithe dressed frightfully.

From three to four. the opera before I was

From dinner to six.

rude to Veny.

Dined. Mrs. Kitty called upon me to go to risen from table.

Drank tea. Turned off a footman for being

Six o'clock. Went to the opera. I did not see Mr. Froth till the beginning of the second act. Mr. Froth talked to a gentleman in a black wig. Bowed to a lady in the front box. Mr. Froth and his friend clapped Nicolini in the third act. Mr. Froth cried out Ancora. Mr. Froth led me to my chair. I think he squeezed my hand. Eleven at night. Went to bed. Melancholy dreams. thought Nicolini said he was Mr. Froth.

SUNDAY. Indisposed.

MONDAY. Eight o'clock. Waked by Miss Kitty. Aurenzebe

lay upon the chair by me. Kitty repeated without book the eight best lines in the play. Went in our mobs to the dumb man, according to appointment. Told me that my lover's name began with a G. Mem. The conjurer was within a letter of Mr. Froth's name, &c.

"Upon looking back into this my journal, I find that I am at a loss to know whether I pass my time well or ill; and indeed never thought of considering how I did it, before I perused your speculation upon that subject. I scarce find a single action in these five days that I can thoroughly approve of, except the working upon the violet leaf, which I am resolved to finish the first day I am at leisure. As for Mr. Froth and Veny, I did not think they took up so much of my time and thoughts, as I find they do upon my journal. The latter of whom I will turn off if you insist upon it; and if Mr. Froth does not bring matters to a conclusion very suddenly, I will not let my life run away in a dream.

"Your humble servant,

CLARINDA."

To resume one of the morals of my first paper, and to confirm Clarinda in her good inclinations, I would have her consider what a pretty figure she would make among posterity, were the history of her whole life published like these five days of it. I shall conclude my paper with an epitaph written by an uncertain author on Sir Philip Sidney's sister, a lady who seems to have been of a temper very much different from that of Clarinda. The last thought of it is so very noble, that I dare say my reader will pardon the quotation.

On the Countess Dowager of Pembroke.

Underneath this marble hearse
Lies the subject of all verse,
Sidney's sister, Pembroke's mother;
Death, ere thou hast killed another,
Fair, and learned, and good as she,
Time shall throw a dart at thee.

I

VARIOUS ADVANTAGES OF THE
SPECTATORS

No. 367. THURSDAY MAY 1, 1712. [ADDISON.J

Perituræ parcite chartæ. -Juv.

HAVE often pleased myself with considering the two kinds of benefits which accrue to the public from these my Speculations, and which, were I to speak after the manner of logicians, I would distinguish into the material and the formal. By the latter I understand those advantages which my readers receive, as their minds are either improved or delighted by these my daily labours: but having already several times descanted on my endeavours in this light, I shall at present wholly confine myself to the consideration of the former. By the word material I mean those benefits which arise to the public from these my Speculations, as they consume a considerable quantity of our paper manufacture, employ our artisans in printing, and find business for great numbers of indigent persons.

Our paper-manufacture takes into it several mean materials which could be put to no other use, and affords work for several hands in the collecting of them, which are incapable of any other employment. Those poor retailers, whom we see so busy in every street, deliver in their respective gleanings to the merchant. The merchant carries them in loads to the paper-mill, where they pass through a fresh set of hands, and give life to another trade. Those who have mills on their estates by this means considerably raise their rents, and the whole nation is in a great measure supplied with a manufacture, for which formerly she was obliged to her neighbours.

The materials are no sooner wrought into paper, but they are distributed among the presses, where they again set innumerable artists at work, and furnish business to another mystery. From hence, accordingly as they are stained with news or politics, they fly through the town in Post-men, Post-boys, Daily Courants, Reviews, Medleys, and Examiners. Men, women, and children contend who shall be the first bearers of them, and get their daily sustenance by spreading them. In short, when I trace in my mind a bundle of rags to a quire of Spectators, I find so many

hands employed in every step they take through their whole progress, that while I am writing a Spectator, I fancy myself providing bread for a multitude.

If I do not take care to obviate some of my witty readers, they will be apt to tell me, that my paper, after it is thus printed and published, is still beneficial to the public on several occasions. I must confess I have lighted my pipe with my own works for this twelvemonth past: my landlady often sends up her little daughter to desire some of my old Spectators, and has frequently told me, that the paper they are printed on is the best in the world to wrap spice in. They likewise make a good foundation for a muttonpie, as I have more than once experienced, and were very much sought for last Christmas by the whole neighbourhood.

It is pleasant enough to consider the changes that a linen fragment undergoes, by passing through the several hands above-mentioned. The finest pieces of Holland, when torn to tatters, assume a new whiteness more beautiful than their first, and often return in the shape of letters to their native country. A lady's shift may be metamorphosed into billet-doux, and come into her possession a second time. A beau may peruse his cravat after it is worn out, with greater pleasure and advantage than ever he did in a glass. In a word, a piece of cloth, after having officiated for some years as a towel or a napkin, may by this means be raised from a dunghill, and become the most valuable piece of furniture in a prince's cabinet.

The politest nations of Europe have endeavoured to vie with one another for the reputation of the finest printing: absolute governments, as well as republics, have encouraged an art which seems to be the noblest and most beneficial that was ever invented among the sons of men. The present king of France, in his pursuits after glory, has particularly distinguished himself by the promoting of this useful art, insomuch that several books have been printed in the Louvre at his own expense, upon which he sets so great a value, that he considers them as the noblest presents he can make to foreign princes and ambassadors. If we look into the commonwealths of Holland and Venice, we shall find that in this particular they have made themselves the envy of the greatest monarchies. Elzevir and Aldus are more frequently mentioned than any pensioner of the one or doge of the other.

The several presses which are now in England, and the encouragement which has been given to learning, for some years last past,

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