Emerson's Literary CriticismU of Nebraska Press, 1995 M01 1 - 252 páginas "Carlson has performed a valuable service in publishing these important critical statements in one convenient, thoroughly documented sourcebook. Worthwhile for all students of American literature."-Choice. Ralph Waldo Emerson has always fascinated students of criticism and of American literature and thought. Emerson's Literary Criticism supplies the continuing need for an anthology. This collection brings together Emerson's literary criticism from a wide variety of sources. Eric W. Carlson has culled both the major statements of Emerson's critical principles and many secondary observations that illuminate them. Here are more than sixty selections on thirty-five critical topics. Headnotes provide valuable background. Carlson relates Emerson's critical principles to his philosophy, social thought, and literary milieu, and also to biographical details. Intended for the student as well as the researcher, this book amply illustrates Alfred Kazin's contention that Ralph Waldo Emerson was "one of the shrewdest critics who ever lived." Eric W. Carlson is professor emeritus of English at the University of Connecticut and editor of three Edgar Allan Poe anthologies as well as coeditor, with J. Lasley Dameron, of Emerson's Relevance Today: A Symposium. |
Contenido
Beauty 1836 | 23 |
Intellect | 59 |
Bacchus | 70 |
Diction and Style | 81 |
The Craft of Poetry | 96 |
Emerging Critical Concepts | 103 |
The Novel of Character vs | 121 |
General Essays | 127 |
Shelley | 193 |
Tennyson | 194 |
Wordsworth | 197 |
Carlyle | 204 |
Coleridge | 206 |
Dickens | 210 |
Scott | 212 |
American Writers Fuller | 216 |
Early Writers Chaucer | 151 |
Bacon | 156 |
Montaigne | 159 |
Shakespeare | 162 |
Milton | 179 |
Romantic and Victorian Writers Burns | 187 |
Byron | 190 |
Hawthorne | 219 |
Thoreau | 222 |
Whitman | 227 |
237 | |
ACKNOWLEDGMENTS | 245 |
247 | |
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Términos y frases comunes
American appears artist Bacon bard beauty better Boccacio Byron Carlyle character Chaucer Coleridge creative criticism culture Dares Phrygius delight divine England English Traits epic essay experience expression F. O. Matthiessen fact feeling Forceythe Willson genius Goethe Harold Bloom Hawthorne heart heaven Heraclitus Homer human imagination insight inspiration intellect journal language lecture literary literature living lyric Margaret Fuller merit Milton mind modern moral muse nature never novel object organic Orphism painting passage perception person philosopher picture Plato Plutarch poems poet poetic poetry praise prose Ralph Waldo Emerson reader rhetoric rhyme Sacvan Bercovitch seems sense sentiment Shakspeare song soul speak speech spirit style sublime symbols talent taste Tennyson theory things Thoreau thou thought tion tone transcendental translation truth universal verse Wallace Stevens whilst Whitman wonderful words Wordsworth write