HamletPenguin UK, 2005 M04 7 - 400 páginas 'The Mona Lisa of literature' T. S. Eliot |
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... King James I succeeded Queen Elizabeth I in 1603 they were renamed as the King's Men. All the women's parts were played by boys; there is no evidence that any female role was ever played by a male actor over the age of about eighteen ...
... King James I succeeded Queen Elizabeth I in 1603 they were renamed as the King's Men. All the women's parts were played by boys; there is no evidence that any female role was ever played by a male actor over the age of about eighteen ...
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... King and Queen. He responds to questions about his state of mind with puns, riddles, pointed impertinence and pretended madness. Hamlet's mental state is important because it threatens the Danish state. 'Madness in great ones must not ...
... King and Queen. He responds to questions about his state of mind with puns, riddles, pointed impertinence and pretended madness. Hamlet's mental state is important because it threatens the Danish state. 'Madness in great ones must not ...
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... King' and 'Queen', not 'Claudius' and 'Gertrude'. Being a prince and nephew to the King ('my lord', the others call him) is more important in the identity of Hamlet than being melancholy and misogynist – though he shows signs of both ...
... King' and 'Queen', not 'Claudius' and 'Gertrude'. Being a prince and nephew to the King ('my lord', the others call him) is more important in the identity of Hamlet than being melancholy and misogynist – though he shows signs of both ...
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... King Hamlet, then, he is carrying out Hamlet's own, long-repressed desire ... Queen is not usually regarded as a problematic figure, but in fact she ... King tempt you again to bed, Pinch wanton on your cheek, call you his mouse, And let ...
... King Hamlet, then, he is carrying out Hamlet's own, long-repressed desire ... Queen is not usually regarded as a problematic figure, but in fact she ... King tempt you again to bed, Pinch wanton on your cheek, call you his mouse, And let ...
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... King; as she says, he is not responsible for the death of Polonius. She ... Queen to write any more dialogue for her. Her interiority – the state of her ... King Lear, Adam in As You Like It, Christopher Sly in The Taming of the Shrew and ...
... King; as she says, he is not responsible for the death of Polonius. She ... Queen to write any more dialogue for her. Her interiority – the state of her ... King Lear, Adam in As You Like It, Christopher Sly in The Taming of the Shrew and ...
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Términos y frases comunes
action actor audience BARNARDO behaviour blood character Christian Claudius Claudius’s Danish dead dear Denmark doth e’en Elizabethan England Enter Hamlet Enter the King Exeunt Exit eyes F reads father fear Fortinbras friends gentleman Gertrude Ghost give God’s hast hath hear heart heaven honour in’t is’t Jephthah judgement Julius Caesar killed King and Queen King Claudius King Hamlet King of Denmark King’s Laertes Laertes’s look madness MARCELLUS marriage means misogyny mother murder nature night Norway o’er Ophelia OSRICK Paul Prescott performance perhaps phrase play play’s PLAYER poison Pollax Polonius Polonius’s pray Presumably Prince Prince Hamlet probably Pyrrhus Q2 and F Q2 reads Quarto rapiers revenge REYNALDO Richard II Rosencrantz and Guildenstern scene SECOND CLOWN seems sense Shakespeare soliloquy soul speak speech sweet sword tell theatre thee There’s thou thoughts tragedy Trumpets Voltemand what’s word