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PREFACE.

"WITH regard to a certain little DIARY, of which it has been thought proper to give here a new edition, what shall I say? If I have cheated some gentle readers out of much superfluous sympathy— as it has been averred-it was certainly without design. I can but repeat here the excuse already inserted in another place,' that the work in question was not written for publication, nor would ever have been printed but for accidental circumstances; that the title under which it appeared was not given by the writer, but the publisher, who at the time knew nothing of the real author: and that some false dates, unimportant circumstances, and fictitious characters, were afterwards interpolated, to conceal, if possible, the real purport and origin of the work; for the intention was not to create an illusion, by giving to fiction the appearance of truth; but, in fact, to conceal truth by throwing over it the veil of fiction.' I regret, that even this deception

was practised, but would plead in excuse that the basis of that little book was truth; that it was, in reality, what it assumed to be, ‘a true picture of natural and feminine feeling.' I confess, that to go over the pages again for the purpose of correction, and for the first time, since their publication, has been rather a painful task: once or twice I have felt inclined to make the amende honorable. They contain some opinions which I have seen reason to alter or modify; they record some feelings which I would rather have forgotten; and Italy has since undergone some social and political changes: but the observations on art and natural scenery remain as applicable now as they were ten years ago; and I found I could make no alterations, no corrections, which would not detract from the sole merit the book could ever have possessed, and which, I presume, it still retains,—its truth as a picture of mind."

A. J.

[From "Visits and Sketches, at Home and Abroad."]

Florence; Influence of the Scenery; Gallery; Venus de'
Medicis; the Casina; Moonlight at Florence; the Niobe;
Mr. Cockerell; the Dying Alexander; the Mercury of
John of Bologna; Melancholy Thoughts; Samuel Rogers
and the Venus de' Medicis; Carlo Dolce's La Poesia,

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