Essays on the Nature and Principles of Taste, Volumen2George Ramsay, 1812 - 447 páginas |
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Página 14
... among these parts in the maintaining or promoting this Expression , there appears only a mixture of similar and dissimilar parts , without any correspondence or alliance , we reject it as a confused 14 SUBLIMITY AND BEAUTY.
... among these parts in the maintaining or promoting this Expression , there appears only a mixture of similar and dissimilar parts , without any correspondence or alliance , we reject it as a confused 14 SUBLIMITY AND BEAUTY.
Página 15
Archibald Alison. correspondence or alliance , we reject it as a confused and insignificant Form , without meaning or beauty . If , in the same man- ner , the general Form has no Expression , we pass it by without attention , and with a ...
Archibald Alison. correspondence or alliance , we reject it as a confused and insignificant Form , without meaning or beauty . If , in the same man- ner , the general Form has no Expression , we pass it by without attention , and with a ...
Página 16
... correspondence among the differ- ent parts to the whole of the character ; and perceive the uniformity of this cha- racter maintained amid all their varieties , that we are fully satisfied with the Beauty of the 8 16 SUBLIMITY AND BEAUTY.
... correspondence among the differ- ent parts to the whole of the character ; and perceive the uniformity of this cha- racter maintained amid all their varieties , that we are fully satisfied with the Beauty of the 8 16 SUBLIMITY AND BEAUTY.
Página 20
... correspondence to the nature of the peculiar Emotion which the Form itself is fitted to excite . Every one knows , that some Emotions require a greater degree of uniformity , and others a greater degree of variety in their objects ; and ...
... correspondence to the nature of the peculiar Emotion which the Form itself is fitted to excite . Every one knows , that some Emotions require a greater degree of uniformity , and others a greater degree of variety in their objects ; and ...
Página 21
... correspondence of the different parts of the Composition in preserving or promoting the peculiar Expression by which the object itself is distinguished . In the Forms of Ground , for instance , there is very obviously no certain propor ...
... correspondence of the different parts of the Composition in preserving or promoting the peculiar Expression by which the object itself is distinguished . In the Forms of Ground , for instance , there is very obviously no certain propor ...
Términos y frases comunes
2dly accordingly admiration affect amid appearances apprehend arises Artist ascer attitude or gesture Beau beautiful Form Beauty of Forms Beauty of Proportion Beauty or Sublimity cause Colours common Complexion Composition considered constitution contrary correspondence degree dispositions of mind distinguished Dress duction Emotion of Beauty Entablature experience expres Expression of Design Expression of Fitness feel felt as beautiful Gaiety gestures or attitudes Human Countenance Human Form illustrations imitation kind language lours mankind manner Melan melancholy ment Motion nance nature neral ness objects observation obvious opinion original Beauty ornament painful Painter passions peculiar perceive perfect conception perhaps permanently beautiful pleasing or interesting pleasure portions pression principle produced propriety racter readers regard Regularity relation rience riety scenery scenes seems sense sensible sentiment of Beauty significant sion species sufficient susceptible Taste tiful tion tural ture Uniformity and Variety weight youth