Essays on the Nature and Principles of Taste, Volumen2George Ramsay, 1812 - 447 páginas |
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Página 50
... lours of Dress , and the Character that dis- tinguishes the countenance and form of the Person who wears it ; which however little attended to , is one of the most important articles in the Composition of Dress , and which is never ...
... lours of Dress , and the Character that dis- tinguishes the countenance and form of the Person who wears it ; which however little attended to , is one of the most important articles in the Composition of Dress , and which is never ...
Página 234
... lours are instinctively beautiful in the Human Countenance , they must be equally beauti- ful in every Countenance . Yet there is no one who does not expect a very different degree , at least of Colour , in the two 234 SUBLIMITY AND BEAUTY.
... lours are instinctively beautiful in the Human Countenance , they must be equally beauti- ful in every Countenance . Yet there is no one who does not expect a very different degree , at least of Colour , in the two 234 SUBLIMITY AND BEAUTY.
Página 236
... lours are felt as beautiful , when they are significant to us of pleasing or of interesting qualities in the Countenances to which they belong . There is nothing more opposite in point of Colouring , than the bloom of youth to the 236 ...
... lours are felt as beautiful , when they are significant to us of pleasing or of interesting qualities in the Countenances to which they belong . There is nothing more opposite in point of Colouring , than the bloom of youth to the 236 ...
Página 244
... as of its Co- lours , into what may be called ( though with some restriction ) the Permanent and the Variable . The Permanent Features are such as give the 244 SUBLIMITY AND BEAUTY Of the Features of the Human Coun- tenance,
... as of its Co- lours , into what may be called ( though with some restriction ) the Permanent and the Variable . The Permanent Features are such as give the 244 SUBLIMITY AND BEAUTY Of the Features of the Human Coun- tenance,
Página 264
... lours would compose a Countenance of Beauty , and that every deviation in Com- position from these original principles of Beauty would , in proportion to this devia- tion , affect us with sentiments either of indifference or disgust ...
... lours would compose a Countenance of Beauty , and that every deviation in Com- position from these original principles of Beauty would , in proportion to this devia- tion , affect us with sentiments either of indifference or disgust ...
Términos y frases comunes
2dly accordingly admiration affect amid appearances apprehend arises Artist ascer attitude or gesture Beau beautiful Form Beauty of Forms Beauty of Proportion Beauty or Sublimity cause Colours common Complexion Composition considered constitution contrary correspondence degree dispositions of mind distinguished Dress duction Emotion of Beauty Entablature experience expres Expression of Design Expression of Fitness feel felt as beautiful Gaiety gestures or attitudes Human Countenance Human Form illustrations imitation kind language lours mankind manner Melan melancholy ment Motion nance nature neral ness objects observation obvious opinion original Beauty ornament painful Painter passions peculiar perceive perfect conception perhaps permanently beautiful pleasing or interesting pleasure portions pression principle produced propriety racter readers regard Regularity relation rience riety scenery scenes seems sense sensible sentiment of Beauty significant sion species sufficient susceptible Taste tiful tion tural ture Uniformity and Variety weight youth