Essays on the Nature and Principles of Taste, Volumen2George Ramsay, 1812 - 447 páginas |
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Página 4
... some original Beauty in these Forms themselves , leads us also to ascribe the Beauty of complex Forms , to some original fitness in the Composition of Uni- formity and Variety , to produce this Emo- tion . 4 SUBLIMITY AND BEAUTY.
... some original Beauty in these Forms themselves , leads us also to ascribe the Beauty of complex Forms , to some original fitness in the Composition of Uni- formity and Variety , to produce this Emo- tion . 4 SUBLIMITY AND BEAUTY.
Página 5
Archibald Alison. formity and Variety , to produce this Emo- tion . That the Composition of Uniformity and Variety in Forms is agreeable , or is fitted by the constitution of our nature to excite an agreeable sensation in the Sense of ...
Archibald Alison. formity and Variety , to produce this Emo- tion . That the Composition of Uniformity and Variety in Forms is agreeable , or is fitted by the constitution of our nature to excite an agreeable sensation in the Sense of ...
Página 7
... produce confusion , instead of Beauty ; and that the Composition of Form should then only be beautiful , when the same relation is preserved amid variety , which is demanded in all other cases of Composition * . That this is really the ...
... produce confusion , instead of Beauty ; and that the Composition of Form should then only be beautiful , when the same relation is preserved amid variety , which is demanded in all other cases of Composition * . That this is really the ...
Página 22
... produced by the Emotion that the scene inspires . When this effect is accordingly produced , when the proportion either of uniformity or variety corresponds to the nature of this Emotion , we conclude that the Composition is good . When ...
... produced by the Emotion that the scene inspires . When this effect is accordingly produced , when the proportion either of uniformity or variety corresponds to the nature of this Emotion , we conclude that the Composition is good . When ...
Página 25
... a degree indis- 66 criminate , if they have not been selected " and arranged with a design to produce " certain Expressions : an air of magnifi- " cence or of simplicity , of cheerfulness , tranquillity OF THE MATERIAL WORLD . 25.
... a degree indis- 66 criminate , if they have not been selected " and arranged with a design to produce " certain Expressions : an air of magnifi- " cence or of simplicity , of cheerfulness , tranquillity OF THE MATERIAL WORLD . 25.
Términos y frases comunes
2dly accordingly admiration affect amid appearances apprehend arises Artist ascer attitude or gesture Beau beautiful Form Beauty of Forms Beauty of Proportion Beauty or Sublimity cause Colours common Complexion Composition considered constitution contrary correspondence degree dispositions of mind distinguished Dress duction Emotion of Beauty Entablature experience expres Expression of Design Expression of Fitness feel felt as beautiful Gaiety gestures or attitudes Human Countenance Human Form illustrations imitation kind language lours mankind manner Melan melancholy ment Motion nance nature neral ness objects observation obvious opinion original Beauty ornament painful Painter passions peculiar perceive perfect conception perhaps permanently beautiful pleasing or interesting pleasure portions pression principle produced propriety racter readers regard Regularity relation rience riety scenery scenes seems sense sensible sentiment of Beauty significant sion species sufficient susceptible Taste tiful tion tural ture Uniformity and Variety weight youth