Essays on the Nature and Principles of Taste, Volumen1George Ramsay, 1812 - 447 páginas |
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Página 9
... the Seasons , with perfect indifference , and with no more emotion , than what we feel from the most uninteresting composition in prose ; while in other moments , the first lines we meet with OF SUBLIMITY AND BEAUTY . 9.
... the Seasons , with perfect indifference , and with no more emotion , than what we feel from the most uninteresting composition in prose ; while in other moments , the first lines we meet with OF SUBLIMITY AND BEAUTY . 9.
Página 23
... indifferent to no man . They recal so many images of past happiness and past affections , they are connected with so many strong or interesting emotions , and lead altogether to so OF SUBLIMITY AND BEAUTY . 23 The same Subject continued,
... indifferent to no man . They recal so many images of past happiness and past affections , they are connected with so many strong or interesting emotions , and lead altogether to so OF SUBLIMITY AND BEAUTY . 23 The same Subject continued,
Página 73
... indifferent , or at least are regarded as indifferent in our common hours either of occupation or amusement : the conceptions which they produce , by the laws of association , partake of the na- ture or character of the object which ...
... indifferent , or at least are regarded as indifferent in our common hours either of occupation or amusement : the conceptions which they produce , by the laws of association , partake of the na- ture or character of the object which ...
Página 74
... indifference with which such trains are either pursued or deserted , is a sufficient evidence , that the ideas of which they are composed , are in general of a kind unfitted to produce any emotion , ei- ther of pleasure or pain . In the ...
... indifference with which such trains are either pursued or deserted , is a sufficient evidence , that the ideas of which they are composed , are in general of a kind unfitted to produce any emotion , ei- ther of pleasure or pain . In the ...
Página 81
... , and common experience . 1. If any man were to assert , that some object , though positively indifferent or un- VOL . I. F 4 interesting , was yet beautiful or sublime , every OF SUBLIMITY AND BEAUTY . 81 The same Subject continued,
... , and common experience . 1. If any man were to assert , that some object , though positively indifferent or un- VOL . I. F 4 interesting , was yet beautiful or sublime , every OF SUBLIMITY AND BEAUTY . 81 The same Subject continued,
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Términos y frases comunes
accordingly admiration affecting qualities afford altogether angular arises artist asso associations beau Beauty or Sublimity blime blimity circumstance Colours common composition connection consider constitution contrary Delicacy delight discover distinguished duce effect Emotion of Beauty Emotions of Sublimity Emotions of Taste excite exercise of imagination expres expressive fect feel felt fitted to produce gaiety Georgics human Voice Ideas of Emotion illustration images imitation indifferent instance jects kind lake of Bienne language Lines manner melancholy Music nature neral objects of Sublimity objects of Taste observation obvious particular passions perceived Pharsalia pleasing pleasure Poet poetry pression Prince of Condé principle produce the Emotions producing Emo qualities of Matter qualities of Mind racter regard scene scenery seems sense sensibility shew signified signs similar simple Emotion sions solemn Sounds species specta Sublimity and Beauty Sublimity or Beauty Tenderness tion tone trains of thought ture uniformly Virgil winding