Shakespearean Tragedy and Its Double: The Rhythms of Audience Response

acting action actor Antony and Cleopatra Antony's appears argues arrival attention audience audience's awareness becomes behold Caesar calls characters Claudius comes create critics dead death Desdemona desire detachment direction discussion distance doubt dramatic Edgar effect Elizabethan emotional engagement Enobarbus enters entrance example experience express fall fear feel finally follow Fool gesture ghost gives Hamlet hand Iago Iago's imagination interpretation invites Kent King Lear language later Lear's leaves lines London look meaning Mercutio moral move narrative nature notes object observes Octavius offers opening Ophelia Othello particularly passion performance perhaps perspective physical play play's playgoer position possibility present Quarto recognize relationship response rhythm role Romeo and Juliet says scene sense Shakespeare Shakespearean Tragedy shifts soliloquy speak spectator spectatorial spectatorship speech stage stands structure Studies suggests sympathy theater theatrical thou thought tragedy tragic turns University Press wonder