Visual ThinkingUniversity of California Press, 1969 - 345 páginas For thirty-five years Visual Thinking has been the gold standard for art educators, psychologists, and general readers alike. In this seminal work, Arnheim, author of The Dynamics of Architectural Form, Film as Art, Toward a Psychology of Art, and Art and Visual Perception, asserts that all thinking (not just thinking related to art) is basically perceptual in nature, and that the ancient dichotomy between seeing and thinking, between perceiving and reasoning, is false and misleading. An indispensable tool for students and for those interested in the arts. |
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Contenido
Early Stirrings | 1 |
The Intelligence of Perception i | 15 |
The Intelligence of Perception ii | 38 |
Two and Two Together | 54 |
Thinking With Pure Shapes | 208 |
Words in Their Place | 226 |
Art and Thought | 254 |
Models for Theory | 274 |
Vision in Education | 294 |
Notes | 317 |
Bibliography | 325 |
339 | |
Términos y frases comunes
animal appearance Aristotle Arnheim artist aspects behavior called chap chimpanzee circle cognitive color common complete context depict derived described distinguish drawings elements entities evidence example experience eyes fact Figure Figure and ground function geometrical gestalt psychology given grasp highspots human ideas illustrate imagery individual instances intelligence interaction Jean Piaget kind language look marriage Max Wertheimer means mechanical memory mental images mind nature observer operations organized painting particular patient pattern patterns of forces Paul Klee perceived perception person pictorial picture Plato present principle problem productive thinking psychology reasoning refer relation relevant seen sense sensory sequence similar simple situation Solomon E space spatial stimulus structure suggested symbol symmetrical takes task tell theory things thought tion traits triangle true verbal visible vision visual concepts visual field visual perception visual thinking whole words