Melodramatic Acting: Concept and Technique in the Performance of Early Nineteenth Century English MelodramaStanford University, 1966 - 522 páginas |
Dentro del libro
Resultados 1-3 de 49
Página 250
... Theatre , " Educational Theatre Journal , XI ( October , 1959 ) , 188-199 . Shattuck , Charles H. Bulwer and Macready , a Chronicle of the Early Victorian Theatre . Urbana : University of Illinois Press , 1958 . Mr. Macready Produces As ...
... Theatre , " Educational Theatre Journal , XI ( October , 1959 ) , 188-199 . Shattuck , Charles H. Bulwer and Macready , a Chronicle of the Early Victorian Theatre . Urbana : University of Illinois Press , 1958 . Mr. Macready Produces As ...
Página 256
... Theatre Royal Covent Garden ) . Lewis , Matthew G. Raymond and Agnes . London : G.H. Davidson , n.d. Harvard Theatre Collection , n.c. ( rubberstamped " Boston Theatre " ) . Rugantino . London : Cumberland , n.d. NCOF ( signature of ...
... Theatre Royal Covent Garden ) . Lewis , Matthew G. Raymond and Agnes . London : G.H. Davidson , n.d. Harvard Theatre Collection , n.c. ( rubberstamped " Boston Theatre " ) . Rugantino . London : Cumberland , n.d. NCOF ( signature of ...
Página 257
... Theatre , St. Louis , April 13 , 1878 ) . The Two Galley Slaves . London : Cumberland , n.d. NCOF ( signatures of R.J. Jones and E.F. Taylor ) . Planché , James R. The Brigand . TS2086.50 ( signature of J. Moore ; property of J. Wallack ) ...
... Theatre , St. Louis , April 13 , 1878 ) . The Two Galley Slaves . London : Cumberland , n.d. NCOF ( signatures of R.J. Jones and E.F. Taylor ) . Planché , James R. The Brigand . TS2086.50 ( signature of J. Moore ; property of J. Wallack ) ...
Contenido
Chapter | 18 |
DETERMINANTS OF CONCEPT | 23 |
ELEMENTS OF INDIVIDUAL TECHNIQUE | 80 |
Derechos de autor | |
Otras 4 secciones no mostradas
Términos y frases comunes
1Samuel Aaron Hill acting editions action activity actor attitude audience basic beats Bonner Bowery Theatre Brutus Castle Spectre character character's chord Claudine climactic climax comic contrast conventional cooperation Corner in Wheat critic Cruikshank Damon and Pythias dialogue Doctor of Philosophy dramatic effect elements entrance example exits expression extreme eyes Figure Floating Beacon focal focus force function genre gesture give Grindoff hand hero I:iii illusion impulse instruction-books interaction involved Isaac Pocock John Banim Kelmar London Lothair marked melo melodrama ment moral movement musical accompaniment nature nineteenth century pantomime passion patterns performance Pescara physical play position prompt note promptbook Ravina realistic rehearsal response rhythm rhythmic Rob Roy Macgregor Rugantino scene scenic plane sequence Siddons signature significant specific speech stage directions striking strong structure style sudden technique tension Theatre theatrical tion torso tragedy tragic transition typical Uncle Tom's Cabin upstage villain visual vocal voice Wilford