Melodramatic Acting: Concept and Technique in the Performance of Early Nineteenth Century English MelodramaStanford University, 1966 - 522 páginas |
Dentro del libro
Resultados 1-3 de 16
Página 33
... according to their mood , emotional coloration , and rhythmic nature . The performance was unified by its intention to pro- vide material for audience response . The serious moment was often very serious indeed , for the eighteenth ...
... according to their mood , emotional coloration , and rhythmic nature . The performance was unified by its intention to pro- vide material for audience response . The serious moment was often very serious indeed , for the eighteenth ...
Página 111
... according with the nature of the things you speak of . If of heaven , your eyes are naturally lifted up ; if of earth or heil , or things terrestrial they are naturally cast down : the eyes must ever be directed according to the ...
... according with the nature of the things you speak of . If of heaven , your eyes are naturally lifted up ; if of earth or heil , or things terrestrial they are naturally cast down : the eyes must ever be directed according to the ...
Página 180
... according to the principle of alternate focus , Of major importance in both tragic and melodramatic performance was the rendering of sequences of emotional tran- sition . In discussing the tragic transition , Siddons quoted Hume's ...
... according to the principle of alternate focus , Of major importance in both tragic and melodramatic performance was the rendering of sequences of emotional tran- sition . In discussing the tragic transition , Siddons quoted Hume's ...
Contenido
Chapter | 18 |
DETERMINANTS OF CONCEPT | 23 |
ELEMENTS OF INDIVIDUAL TECHNIQUE | 80 |
Derechos de autor | |
Otras 4 secciones no mostradas
Términos y frases comunes
1Samuel Aaron Hill acting editions action activity actor attitude audience basic beats Bonner Bowery Theatre Brutus Castle Spectre character character's chord Claudine climactic climax comic contrast conventional cooperation Corner in Wheat critic Cruikshank Damon and Pythias dialogue Doctor of Philosophy dramatic effect elements entrance example exits expression extreme eyes Figure Floating Beacon focal focus force function genre gesture give Grindoff hand hero I:iii illusion impulse instruction-books interaction involved Isaac Pocock John Banim Kelmar London Lothair marked melo melodrama ment moral movement musical accompaniment nature nineteenth century pantomime passion patterns performance Pescara physical play position prompt note promptbook Ravina realistic rehearsal response rhythm rhythmic Rob Roy Macgregor Rugantino scene scenic plane sequence Siddons signature significant specific speech stage directions striking strong structure style sudden technique tension Theatre theatrical tion torso tragedy tragic transition typical Uncle Tom's Cabin upstage villain visual vocal voice Wilford