Melodramatic Acting: Concept and Technique in the Performance of Early Nineteenth Century English MelodramaStanford University, 1966 - 522 páginas |
Dentro del libro
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Página 62
... action . In 1840 , Edward Mayhew made a surprising observation : A melo - drama is defective in action , possessing too little rather than too much ; for it is brought only to a certain point called a situation , and there interrupted ...
... action . In 1840 , Edward Mayhew made a surprising observation : A melo - drama is defective in action , possessing too little rather than too much ; for it is brought only to a certain point called a situation , and there interrupted ...
Página 188
... action were highly conventionalized . While the actor had freedom to develop his personal business , there were certain patterns of interdependent action which had to be followed in order to achieve an integrated performance , and the ...
... action were highly conventionalized . While the actor had freedom to develop his personal business , there were certain patterns of interdependent action which had to be followed in order to achieve an integrated performance , and the ...
Página 193
... action . Scenes were constructed so that the beginning and end of the action seemed to occur within the visible environment . In The Castle Spectre , III : i , after Percy has been rescued from the castle , a boat appears and he springs ...
... action . Scenes were constructed so that the beginning and end of the action seemed to occur within the visible environment . In The Castle Spectre , III : i , after Percy has been rescued from the castle , a boat appears and he springs ...
Contenido
Chapter | 18 |
DETERMINANTS OF CONCEPT | 23 |
ELEMENTS OF INDIVIDUAL TECHNIQUE | 80 |
Derechos de autor | |
Otras 4 secciones no mostradas
Términos y frases comunes
1Samuel Aaron Hill acting editions action activity actor attitude audience basic beats Bonner Bowery Theatre Brutus Castle Spectre character character's chord Claudine climactic climax comic contrast conventional cooperation Corner in Wheat critic Cruikshank Damon and Pythias dialogue Doctor of Philosophy dramatic effect elements entrance example exits expression extreme eyes Figure Floating Beacon focal focus force function genre gesture give Grindoff hand hero I:iii illusion impulse instruction-books interaction involved Isaac Pocock John Banim Kelmar London Lothair marked melo melodrama ment moral movement musical accompaniment nature nineteenth century pantomime passion patterns performance Pescara physical play position prompt note promptbook Ravina realistic rehearsal response rhythm rhythmic Rob Roy Macgregor Rugantino scene scenic plane sequence Siddons signature significant specific speech stage directions striking strong structure style sudden technique tension Theatre theatrical tion torso tragedy tragic transition typical Uncle Tom's Cabin upstage villain visual vocal voice Wilford