Melodramatic Acting: Concept and Technique in the Performance of Early Nineteenth Century English MelodramaStanford University, 1966 - 522 páginas |
Dentro del libro
Resultados 1-3 de 30
Página 69
... attempted to organize and catalogue the passions according to the axiom : Nature has given to every emotion of the mind its ... attempt to consider the raw , absolute emotion was the mark of conventionalization . Emotion was removed from ...
... attempted to organize and catalogue the passions according to the axiom : Nature has given to every emotion of the mind its ... attempt to consider the raw , absolute emotion was the mark of conventionalization . Emotion was removed from ...
Página 152
Conrad Bishop. In this extended preparation for the attempted bribery , each thought is explicitly stated . Every ... attempt bribery : he must mark the preparatory beats very heavily -- like the drum roll preceding an acrobatic stunt ...
Conrad Bishop. In this extended preparation for the attempted bribery , each thought is explicitly stated . Every ... attempt bribery : he must mark the preparatory beats very heavily -- like the drum roll preceding an acrobatic stunt ...
Página 162
... attempt ! " Words very much like the above burst from the lips of a young gentleman , who is in the very disagreeable situation of seeing the lady to whom he is going to be married , surrounded by burning faggots . But , how does he ...
... attempt ! " Words very much like the above burst from the lips of a young gentleman , who is in the very disagreeable situation of seeing the lady to whom he is going to be married , surrounded by burning faggots . But , how does he ...
Contenido
Chapter | 12 |
DETERMINANTS OF CONCEPT | 23 |
ELEMENTS OF INDIVIDUAL TECHNIQUE | 80 |
Derechos de autor | |
Otras 4 secciones no mostradas
Términos y frases comunes
1Samuel Aaron Hill acting editions action activity actor attitude audience basic beats Bonner Bowery Theatre Brutus character character's chord Claudine climax comic contrast conventional cooperation Corner in Wheat critic Cruikshank Damon and Pythias dialogue Doctor of Philosophy dramatic effect elements emotional entrance example exits expression extreme eyes Figure Floating Beacon focus forceful function genre gesture Grindoff hand hero heroine I:iii illusion impulse instruction-books intense interaction involved Isaac Pocock John Banim Kelmar London Lothair marked melo melodrama ment moral movement muscles musical accompaniment nature nineteenth century pantomime passion patterns performance Pescara physical play position prompt note promptbook Ravina realistic rehearsal response rhythm rhythmic Rugantino scene scenic plane seizes sequence Siddons signature significant specific speech stage directions strong structure style sudden suspenseful music technique tension Theatre theatrical thou tion tone torso tragic transition typical Uncle Tom's Cabin upstage villain visual vocal voice Wilford