Melodramatic Acting: Concept and Technique in the Performance of Early Nineteenth Century English MelodramaStanford University, 1966 - 522 páginas |
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Página 152
... beats very heavily -- like the drum roll preceding an acrobatic stunt . The excitement of vivid contrast and illusion of forward movement thus outweigh the actual lag in development . The melodramatic sequence was elaborated by division ...
... beats very heavily -- like the drum roll preceding an acrobatic stunt . The excitement of vivid contrast and illusion of forward movement thus outweigh the actual lag in development . The melodramatic sequence was elaborated by division ...
Página 154
... beats preceding a realization . In the same play , the hero Oswy enters to find Clotilda , the friend of his sweetheart : Oswy . She is alone ! -- Clotilda-- Clo . ( Turning . ) That voice -- ' tis he ! ' tis surely Oswy ! The three ...
... beats preceding a realization . In the same play , the hero Oswy enters to find Clotilda , the friend of his sweetheart : Oswy . She is alone ! -- Clotilda-- Clo . ( Turning . ) That voice -- ' tis he ! ' tis surely Oswy ! The three ...
Página 157
... beats . It was also common to multiply the beats at the end of " 1 a sequence , in order to impress the viewer with its finality . At the end of Act IV of Brutus , the villainous Tullia , after breaking through a group of priestesses ...
... beats . It was also common to multiply the beats at the end of " 1 a sequence , in order to impress the viewer with its finality . At the end of Act IV of Brutus , the villainous Tullia , after breaking through a group of priestesses ...
Contenido
Chapter | 18 |
DETERMINANTS OF CONCEPT | 23 |
ELEMENTS OF INDIVIDUAL TECHNIQUE | 80 |
Derechos de autor | |
Otras 4 secciones no mostradas
Términos y frases comunes
1Samuel Aaron Hill acting editions action activity actor attitude audience basic beats Bonner Bowery Theatre Brutus Castle Spectre character character's chord Claudine climactic climax comic contrast conventional cooperation Corner in Wheat critic Cruikshank Damon and Pythias dialogue Doctor of Philosophy dramatic effect elements entrance example exits expression extreme eyes Figure Floating Beacon focal focus force function genre gesture give Grindoff hand hero I:iii illusion impulse instruction-books interaction involved Isaac Pocock John Banim Kelmar London Lothair marked melo melodrama ment moral movement musical accompaniment nature nineteenth century pantomime passion patterns performance Pescara physical play position prompt note promptbook Ravina realistic rehearsal response rhythm rhythmic Rob Roy Macgregor Rugantino scene scenic plane sequence Siddons signature significant specific speech stage directions striking strong structure style sudden technique tension Theatre theatrical tion torso tragedy tragic transition typical Uncle Tom's Cabin upstage villain visual vocal voice Wilford