Melodramatic Acting: Concept and Technique in the Performance of Early Nineteenth Century English MelodramaStanford University, 1966 - 522 páginas |
Dentro del libro
Resultados 1-3 de 26
Página 62
... common style and rhythm of diction , and probably a common level of physical activity . If there were musical accompaniment to the sequence , both actors would be in unison with the intensity of the music , and hence with one another ...
... common style and rhythm of diction , and probably a common level of physical activity . If there were musical accompaniment to the sequence , both actors would be in unison with the intensity of the music , and hence with one another ...
Página 132
... common technique in eighteenth and nineteenth century low comedy -- and there was undoubtedly an analogous technique in vocal tone . Often , the delivery would imitate the general kinetic force of a word , as in Cushman's reading of Meg ...
... common technique in eighteenth and nineteenth century low comedy -- and there was undoubtedly an analogous technique in vocal tone . Often , the delivery would imitate the general kinetic force of a word , as in Cushman's reading of Meg ...
Página 149
... common . The full scope of these techniques will be discussed in the next chapter , in the context of their sequences . Other functions of movement -- bringing characters into special prominence , making characters invisible or ...
... common . The full scope of these techniques will be discussed in the next chapter , in the context of their sequences . Other functions of movement -- bringing characters into special prominence , making characters invisible or ...
Contenido
Chapter | 18 |
DETERMINANTS OF CONCEPT | 23 |
ELEMENTS OF INDIVIDUAL TECHNIQUE | 80 |
Derechos de autor | |
Otras 4 secciones no mostradas
Términos y frases comunes
1Samuel Aaron Hill acting editions action activity actor attitude audience basic beats Bonner Bowery Theatre Brutus Castle Spectre character character's chord Claudine climactic climax comic contrast conventional cooperation Corner in Wheat critic Cruikshank Damon and Pythias dialogue Doctor of Philosophy dramatic effect elements entrance example exits expression extreme eyes Figure Floating Beacon focal focus force function genre gesture give Grindoff hand hero I:iii illusion impulse instruction-books interaction involved Isaac Pocock John Banim Kelmar London Lothair marked melo melodrama ment moral movement musical accompaniment nature nineteenth century pantomime passion patterns performance Pescara physical play position prompt note promptbook Ravina realistic rehearsal response rhythm rhythmic Rob Roy Macgregor Rugantino scene scenic plane sequence Siddons signature significant specific speech stage directions striking strong structure style sudden technique tension Theatre theatrical tion torso tragedy tragic transition typical Uncle Tom's Cabin upstage villain visual vocal voice Wilford