Melodramatic Acting: Concept and Technique in the Performance of Early Nineteenth Century English MelodramaStanford University, 1966 - 522 páginas |
Dentro del libro
Resultados 1-3 de 15
Página 8
... critic condemns a particular technique , it must be remembered that to many critics anything vaguely associated with melodrama was ana- thema , and the condemnation might in fact be evidence of the technique's established affinity to ...
... critic condemns a particular technique , it must be remembered that to many critics anything vaguely associated with melodrama was ana- thema , and the condemnation might in fact be evidence of the technique's established affinity to ...
Página 54
... critics and led to frequent condemnations of the unnaturalness of such processes as emotional transitions as they were performed in the nineteenth century . One critic maintained : No man , however strong his self - command , can at ...
... critics and led to frequent condemnations of the unnaturalness of such processes as emotional transitions as they were performed in the nineteenth century . One critic maintained : No man , however strong his self - command , can at ...
Página 68
... critics who held them up to the standard of real life : If they have to express love , indignation , hate , or any of the more powerful passions by which men are moved , they use the most stagey signs of these feelings , i.e. , they ...
... critics who held them up to the standard of real life : If they have to express love , indignation , hate , or any of the more powerful passions by which men are moved , they use the most stagey signs of these feelings , i.e. , they ...
Contenido
Chapter | 18 |
DETERMINANTS OF CONCEPT | 23 |
ELEMENTS OF INDIVIDUAL TECHNIQUE | 80 |
Derechos de autor | |
Otras 4 secciones no mostradas
Términos y frases comunes
1Samuel Aaron Hill acting editions action activity actor attitude audience basic beats Bonner Bowery Theatre Brutus Castle Spectre character character's chord Claudine climactic climax comic contrast conventional cooperation Corner in Wheat critic Cruikshank Damon and Pythias dialogue Doctor of Philosophy dramatic effect elements entrance example exits expression extreme eyes Figure Floating Beacon focal focus force function genre gesture give Grindoff hand hero I:iii illusion impulse instruction-books interaction involved Isaac Pocock John Banim Kelmar London Lothair marked melo melodrama ment moral movement musical accompaniment nature nineteenth century pantomime passion patterns performance Pescara physical play position prompt note promptbook Ravina realistic rehearsal response rhythm rhythmic Rob Roy Macgregor Rugantino scene scenic plane sequence Siddons signature significant specific speech stage directions striking strong structure style sudden technique tension Theatre theatrical tion torso tragedy tragic transition typical Uncle Tom's Cabin upstage villain visual vocal voice Wilford