Melodramatic Acting: Concept and Technique in the Performance of Early Nineteenth Century English MelodramaStanford University, 1966 - 522 páginas |
Dentro del libro
Resultados 1-3 de 25
Página 58
... entrance-- is totally static , devoted entirely to the establishment of an emo- tional tone in anticipation of the next sequence . Its pathetic , passive mournfulness is crystallized in the song , and at the father's entrance the new ...
... entrance-- is totally static , devoted entirely to the establishment of an emo- tional tone in anticipation of the next sequence . Its pathetic , passive mournfulness is crystallized in the song , and at the father's entrance the new ...
Página 197
Conrad Bishop. scenic plane and comes downstage into the plane . Pescara's entrance , however , must be sudden and unexpected ; thus he appears immediately in the plane by entering from the first downstage entrance , which also allows ...
Conrad Bishop. scenic plane and comes downstage into the plane . Pescara's entrance , however , must be sudden and unexpected ; thus he appears immediately in the plane by entering from the first downstage entrance , which also allows ...
Página 229
... Entrance music for a single character is sometimes indefinite in mood , simply marking the fact that an important person is entering . More important are those entrances which establish a specific mood immediately . Music might be used ...
... Entrance music for a single character is sometimes indefinite in mood , simply marking the fact that an important person is entering . More important are those entrances which establish a specific mood immediately . Music might be used ...
Contenido
Chapter | 18 |
DETERMINANTS OF CONCEPT | 23 |
ELEMENTS OF INDIVIDUAL TECHNIQUE | 80 |
Derechos de autor | |
Otras 4 secciones no mostradas
Términos y frases comunes
1Samuel Aaron Hill acting editions action activity actor attitude audience basic beats Bonner Bowery Theatre Brutus Castle Spectre character character's chord Claudine climactic climax comic contrast conventional cooperation Corner in Wheat critic Cruikshank Damon and Pythias dialogue Doctor of Philosophy dramatic effect elements entrance example exits expression extreme eyes Figure Floating Beacon focal focus force function genre gesture give Grindoff hand hero I:iii illusion impulse instruction-books interaction involved Isaac Pocock John Banim Kelmar London Lothair marked melo melodrama ment moral movement musical accompaniment nature nineteenth century pantomime passion patterns performance Pescara physical play position prompt note promptbook Ravina realistic rehearsal response rhythm rhythmic Rob Roy Macgregor Rugantino scene scenic plane sequence Siddons signature significant specific speech stage directions striking strong structure style sudden technique tension Theatre theatrical tion torso tragedy tragic transition typical Uncle Tom's Cabin upstage villain visual vocal voice Wilford