Melodramatic Acting: Concept and Technique in the Performance of Early Nineteenth Century English MelodramaStanford University, 1966 - 522 páginas |
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Página 39
... function . Typification was the conse- quence of the multiple functions of the character in the whole dramatic structure , which is excellently described by Brune- tière's so - called law of the drama : a will striving toward a goal ...
... function . Typification was the conse- quence of the multiple functions of the character in the whole dramatic structure , which is excellently described by Brune- tière's so - called law of the drama : a will striving toward a goal ...
Página 51
... function quite apart from his real , circumstantial function , and this required certain conventional techniques , such as the aside speech , to reconcile the divergence . The most crucial tension in melodrama was the incon- gruity ...
... function quite apart from his real , circumstantial function , and this required certain conventional techniques , such as the aside speech , to reconcile the divergence . The most crucial tension in melodrama was the incon- gruity ...
Página 58
... function , the entrance is absurd , but within that function it is quite effective . As her tone changes , he adapts his own tone to provide a dramatic contrast . His earnest attempt to soothe her terror acts as a bass accompaniment ...
... function , the entrance is absurd , but within that function it is quite effective . As her tone changes , he adapts his own tone to provide a dramatic contrast . His earnest attempt to soothe her terror acts as a bass accompaniment ...
Contenido
Chapter | 18 |
DETERMINANTS OF CONCEPT | 23 |
ELEMENTS OF INDIVIDUAL TECHNIQUE | 80 |
Derechos de autor | |
Otras 4 secciones no mostradas
Términos y frases comunes
1Samuel Aaron Hill acting editions action activity actor attitude audience basic beats Bonner Bowery Theatre Brutus Castle Spectre character character's chord Claudine climactic climax comic contrast conventional cooperation Corner in Wheat critic Cruikshank Damon and Pythias dialogue Doctor of Philosophy dramatic effect elements entrance example exits expression extreme eyes Figure Floating Beacon focal focus force function genre gesture give Grindoff hand hero I:iii illusion impulse instruction-books interaction involved Isaac Pocock John Banim Kelmar London Lothair marked melo melodrama ment moral movement musical accompaniment nature nineteenth century pantomime passion patterns performance Pescara physical play position prompt note promptbook Ravina realistic rehearsal response rhythm rhythmic Rob Roy Macgregor Rugantino scene scenic plane sequence Siddons signature significant specific speech stage directions striking strong structure style sudden technique tension Theatre theatrical tion torso tragedy tragic transition typical Uncle Tom's Cabin upstage villain visual vocal voice Wilford