Melodramatic Acting: Concept and Technique in the Performance of Early Nineteenth Century English MelodramaStanford University, 1966 - 522 páginas |
Dentro del libro
Resultados 1-3 de 30
Página 160
Conrad Bishop. The same dire moment which gives thee to Brutus , Gives me to death ! ( Xing R and Raising Dagger . ) 1 The embrace , of course , complements the " love " she mentions , but it also prepares for the movement away from him ...
Conrad Bishop. The same dire moment which gives thee to Brutus , Gives me to death ! ( Xing R and Raising Dagger . ) 1 The embrace , of course , complements the " love " she mentions , but it also prepares for the movement away from him ...
Página 198
... give orders to Riber , then back again to her shortly thereafter -- these turns give him stature as the most crucial , most active character in the scene . Crosses which merely prepared later effects were generally made shortly before ...
... give orders to Riber , then back again to her shortly thereafter -- these turns give him stature as the most crucial , most active character in the scene . Crosses which merely prepared later effects were generally made shortly before ...
Página 239
... give him back his only child . But thou , O Hope , with eyes as bright As if in very sport of pain , The gas - man ... gives the orchestra a withering look , He draws his blood - stain'd sword , And growls , " I mark'd it in the leader's ...
... give him back his only child . But thou , O Hope , with eyes as bright As if in very sport of pain , The gas - man ... gives the orchestra a withering look , He draws his blood - stain'd sword , And growls , " I mark'd it in the leader's ...
Contenido
Chapter | 12 |
DETERMINANTS OF CONCEPT | 23 |
ELEMENTS OF INDIVIDUAL TECHNIQUE | 80 |
Derechos de autor | |
Otras 4 secciones no mostradas
Términos y frases comunes
1Samuel Aaron Hill acting editions action activity actor attitude audience basic beats Bonner Bowery Theatre Brutus character character's chord Claudine climax comic contrast conventional cooperation Corner in Wheat critic Cruikshank Damon and Pythias dialogue Doctor of Philosophy dramatic effect elements emotional entrance example exits expression extreme eyes Figure Floating Beacon focus forceful function genre gesture Grindoff hand hero heroine I:iii illusion impulse instruction-books intense interaction involved Isaac Pocock John Banim Kelmar London Lothair marked melo melodrama ment moral movement muscles musical accompaniment nature nineteenth century pantomime passion patterns performance Pescara physical play position prompt note promptbook Ravina realistic rehearsal response rhythm rhythmic Rugantino scene scenic plane seizes sequence Siddons signature significant specific speech stage directions strong structure style sudden suspenseful music technique tension Theatre theatrical thou tion tone torso tragic transition typical Uncle Tom's Cabin upstage villain visual vocal voice Wilford