Melodramatic Acting: Concept and Technique in the Performance of Early Nineteenth Century English MelodramaStanford University, 1966 - 522 páginas |
Dentro del libro
Resultados 1-3 de 17
Página 48
... immediately and unmistakably . His emotional processes had to be fully externalized and appropriate to the potential audi- ence response . Finally , he had to be particularized to some extent through unique , realistic traits in order ...
... immediately and unmistakably . His emotional processes had to be fully externalized and appropriate to the potential audi- ence response . Finally , he had to be particularized to some extent through unique , realistic traits in order ...
Página 185
... immediately props himself up with his elbow until Tom comes to prop him ; as he dies he is let fall . This method gets double value out of the sudden fall by creating the illusion of a momentary hesitation before its reso- lution . Many ...
... immediately props himself up with his elbow until Tom comes to prop him ; as he dies he is let fall . This method gets double value out of the sudden fall by creating the illusion of a momentary hesitation before its reso- lution . Many ...
Página 197
... immediately in the plane by entering from the first downstage entrance , which also allows him to stand symbolically apart from the other characters by placing him somewhat to the side . The shifting relationships are shown in a series ...
... immediately in the plane by entering from the first downstage entrance , which also allows him to stand symbolically apart from the other characters by placing him somewhat to the side . The shifting relationships are shown in a series ...
Contenido
Chapter | 18 |
DETERMINANTS OF CONCEPT | 23 |
ELEMENTS OF INDIVIDUAL TECHNIQUE | 80 |
Derechos de autor | |
Otras 4 secciones no mostradas
Términos y frases comunes
1Samuel Aaron Hill acting editions action activity actor attitude audience basic beats Bonner Bowery Theatre Brutus Castle Spectre character character's chord Claudine climactic climax comic contrast conventional cooperation Corner in Wheat critic Cruikshank Damon and Pythias dialogue Doctor of Philosophy dramatic effect elements entrance example exits expression extreme eyes Figure Floating Beacon focal focus force function genre gesture give Grindoff hand hero I:iii illusion impulse instruction-books interaction involved Isaac Pocock John Banim Kelmar London Lothair marked melo melodrama ment moral movement musical accompaniment nature nineteenth century pantomime passion patterns performance Pescara physical play position prompt note promptbook Ravina realistic rehearsal response rhythm rhythmic Rob Roy Macgregor Rugantino scene scenic plane sequence Siddons signature significant specific speech stage directions striking strong structure style sudden technique tension Theatre theatrical tion torso tragedy tragic transition typical Uncle Tom's Cabin upstage villain visual vocal voice Wilford