Melodramatic Acting: Concept and Technique in the Performance of Early Nineteenth Century English MelodramaStanford University, 1966 - 522 páginas |
Dentro del libro
Resultados 1-3 de 26
Página 85
... look that is proper to grief , the result of this mixed co - operation of contraries ( of a visage peculiar to sorrow , with a spring on the muscles adapted to joy ) will immediately produce the gesture , the voice , and the feeling ...
... look that is proper to grief , the result of this mixed co - operation of contraries ( of a visage peculiar to sorrow , with a spring on the muscles adapted to joy ) will immediately produce the gesture , the voice , and the feeling ...
Página 86
... look pensive , or the look intense , and the muscles languid , interchangeably . 2 Various explanations were given . In joy , the muscles were to be intense because relaxation was synonymous with depression . In pity , the desire to ...
... look pensive , or the look intense , and the muscles languid , interchangeably . 2 Various explanations were given . In joy , the muscles were to be intense because relaxation was synonymous with depression . In pity , the desire to ...
Página 179
... look in my face , and do not sink with shame , can you look on these ? ( Pointing to Children . ) Rach . Shame ! -- You are deceived . Mar. I have been : so deceived , that had a voice from the sky called you what it tears my heart to ...
... look in my face , and do not sink with shame , can you look on these ? ( Pointing to Children . ) Rach . Shame ! -- You are deceived . Mar. I have been : so deceived , that had a voice from the sky called you what it tears my heart to ...
Contenido
Chapter | 18 |
DETERMINANTS OF CONCEPT | 23 |
ELEMENTS OF INDIVIDUAL TECHNIQUE | 80 |
Derechos de autor | |
Otras 4 secciones no mostradas
Términos y frases comunes
1Samuel Aaron Hill acting editions action activity actor attitude audience basic beats Bonner Bowery Theatre Brutus Castle Spectre character character's chord Claudine climactic climax comic contrast conventional cooperation Corner in Wheat critic Cruikshank Damon and Pythias dialogue Doctor of Philosophy dramatic effect elements entrance example exits expression extreme eyes Figure Floating Beacon focal focus force function genre gesture give Grindoff hand hero I:iii illusion impulse instruction-books interaction involved Isaac Pocock John Banim Kelmar London Lothair marked melo melodrama ment moral movement musical accompaniment nature nineteenth century pantomime passion patterns performance Pescara physical play position prompt note promptbook Ravina realistic rehearsal response rhythm rhythmic Rob Roy Macgregor Rugantino scene scenic plane sequence Siddons signature significant specific speech stage directions striking strong structure style sudden technique tension Theatre theatrical tion torso tragedy tragic transition typical Uncle Tom's Cabin upstage villain visual vocal voice Wilford