Melodramatic Acting: Concept and Technique in the Performance of Early Nineteenth Century English MelodramaStanford University, 1966 - 522 páginas |
Dentro del libro
Resultados 1-3 de 18
Página 39
... moral value , ostensibly resulting from the chosen goal , but in fact a conventional attribute of the character's position in the story . The general moral content of melodrama is well known , but the structural function of this morality ...
... moral value , ostensibly resulting from the chosen goal , but in fact a conventional attribute of the character's position in the story . The general moral content of melodrama is well known , but the structural function of this morality ...
Página 40
... moral value to himself . His full consciousness of his goal-- even of its morality or immorality -- stresses and clarifies this relative position . In the conventional framework , there are set places to be filled , and the type ...
... moral value to himself . His full consciousness of his goal-- even of its morality or immorality -- stresses and clarifies this relative position . In the conventional framework , there are set places to be filled , and the type ...
Página 49
... morals , and set- ting the vices to which we were not inclined , as a sort of balance to those in which we were 1 determined to indulge . Boaden was correct in noting the passion set in motion by moral ambiguity . This resulted from ...
... morals , and set- ting the vices to which we were not inclined , as a sort of balance to those in which we were 1 determined to indulge . Boaden was correct in noting the passion set in motion by moral ambiguity . This resulted from ...
Contenido
Chapter | 12 |
DETERMINANTS OF CONCEPT | 23 |
ELEMENTS OF INDIVIDUAL TECHNIQUE | 80 |
Derechos de autor | |
Otras 4 secciones no mostradas
Términos y frases comunes
1Samuel Aaron Hill acting editions action activity actor attitude audience basic beats Bonner Bowery Theatre Brutus character character's chord Claudine climax comic contrast conventional cooperation Corner in Wheat critic Cruikshank Damon and Pythias dialogue Doctor of Philosophy dramatic effect elements emotional entrance example exits expression extreme eyes Figure Floating Beacon focus forceful function genre gesture Grindoff hand hero heroine I:iii illusion impulse instruction-books intense interaction involved Isaac Pocock John Banim Kelmar London Lothair marked melo melodrama ment moral movement muscles musical accompaniment nature nineteenth century pantomime passion patterns performance Pescara physical play position prompt note promptbook Ravina realistic rehearsal response rhythm rhythmic Rugantino scene scenic plane seizes sequence Siddons signature significant specific speech stage directions strong structure style sudden suspenseful music technique tension Theatre theatrical thou tion tone torso tragic transition typical Uncle Tom's Cabin upstage villain visual vocal voice Wilford